In a word i dont need a blind test for any change in the acoustic disposition of my own room...
And the specs sheets of any piece of gear so important and useful it can be to pairing piece of gear with one another SAY NOTHING about the FINAL sound quality of the system as a whole and his relation to the specific room and to my SPECIFIC ears...
Simple no?
I reject the " brand name gear tasting subjective fetichist " and "the digital tech measuring tools objective fetichist " TOGETHER here , because i live and listen in my room acoustic and the two groups completely UNDERESTIMATED small room acoustic power....It is there in my own room that the gear succeed or fail FOR MY EARS , nevermind his measured specs...Correlation between the objective position,size, tuning of acoustic devices in my physical room and my own tuning subjective abilities and preferences are WHAT MATTER....
I called what i added to the classical passive materials room treatment, mechanical equalization and active tuning control of the room after Helmholtz method...
I dont design a product to be sell, i design my own room.... AT NO COST or almost... 😎 But i made it with a METHOD....
Why?
Because a SMALL room is not an amphiteater acoustic....One is designed by my ears for my ears, the other one is designed for a crowd... Timing of waves, pressure zones control distributions for example dont play the same game here...
Acoustic of the room is the sleeping princess, all pieces of gear are the 7 working dwarves with their tools , and psycho-acoustic of my own specific ears is the kissing prince....
A riddle:
Do you think i modified my speakers for example in reading only their specs sheets ? or by listening them in my room? I listened to them and used Helmholtz resonators and diffusers ON THEM also to crossfeed each one and decrease the acoustic crosstalk in my own way mechanically...Results are astonishing...In near listening and in regular listening...
Each one of our ear and singular speaker is a world in itself....