Cassette decks. How good can it get?


I know some guys are going to just want to say a bunch of negative stuff about tape decks and tell me how bad they sound.  There is a lot of music that comes out on tape only (you usually get download too) so I have been acquiring quite a stack of cassettes.  I have a couple of Nakamichi decks BX100 and BX300. The 300 is not working and was thinking of trying to repair.  I am wondering how good of sound you can get out of cassette?  Has anyone taken the leap up to something like the much more expensive Nakamichis or other brands even.  I enjoy the sound. Mainly it's the background noise more than anything but even that is somewhat tolerable.  

128x128ejlif

Had the Nak 1000 and CR-5A, CR-5A was better. My CR-5A had been tweeked by our 2in R2R tech and biased to TDK MA-XG tapes. Was better than any 7 1/2 ips R2R I ever owned ( admittedly i've only owned 3, but have listened to many in and out of the studio. Supposedly this was the 2nd CR-5A in the USA, per our NAK rep. I truly enjoyed it 'till the day some scumbag stole it.😢

had an akai gx9 back in the day that was superb...that was hands down the best tape deck i've owned. never got my paws on a high end nak though. maybe someday.

right now i use an akai gxz9000 which i believe was a japanese-market-only 3-head deck, and then upstairs a nakamichi bx1 (their entry level 2 head from 83 iirc) that i picked up for super cheap. both awesome, reliable decks that sound excellent. all in all i've owned maybe a dozen decent ones, give or take. before these current two i had a suckface luxman, truly 'love it or hate it' lookswise, but for a 2 head deck just great sound. an old harman kardon 292 that was a workhorse for years. a whacked out jvc that looked like a coked out executive's idea of "futuristic tech"...a couple really nice sonys..etc etc

i'm not adding much here since the OP asked about TOTL stuff but i had to weigh in because i love the format and the gear.

pioneer came out at the last with a cassette deck [CT-W616DR] that employed a refined form of digital DNR and also "digital flex" [dynamic treble enhancement above 10kc], that reported nearly the same s/n ratio as [average quality 16 bit] digital equipment. reviews were mixed-

http://www.tapeheads.net/showthread.php?t=59361

My JVC KD-A77 I brought new still sounds great , it was good enough for Mobile Fidelity Sound Lab . I'm going to sell it .I just found a Technics RS 9900 US in perfect condition I'll keep this one 

Nak 1000 and Nak Dragon are about the best. Adjustable azimuth heads help. We hooked up the 1000, I think, and A-B’d it with the vinyl back in the day.

Biggest difference was that the Nak added a hard-to-describe "hollow" sound to the playback. Other than that, it was identical (Audio Research/Magnepan system) using a Linn Sondek, as I remember. Can’t remember the cartridge--moving coil, I am sure, but we also tried it with moving magnet ones as well.

I think Tandberg had a good one as well...hard to remember that far back any more.

Cheers!