Hello lcs01.You can tell by the many responses - Great Question! By "a great system" I think you mean a system that reveals ALL of what the recording engineers give us. This is a dangerous as seeing a new girl friend without her makeup and supportive clothng. I have some recordings made "in the field" under less than ideal circumstances. It's the only way I can hear this music, so I can ignore the "sound" and enjoy the rhythm, instruments, and voices. A good system tells the truth and the truth is not always pretty. A friend of mine brought over some of his favorite music and was horrified to hear how it sounded on my system! It's not his favorite music anymore. But he could have kept it and just listened to it at home - it's how we feel about what we hear that matters. Some people talk about "forgiving" speakers. Maybe "everything" is not what they want to hear. Some folks want to hear the sneeze in the back row of the audience X number of minutes and seconds of a particular recording; or a dropped mute by a clumsy trumpet player. I just want to hear the music.
Can a great system make a mediocre recording sound good?
I spend a lot of time searching for well produced recordings as they (of course) sound so good on my system (Hegel 160 + Linn Majik 140 speakers). I can't tolerate poor sounding recordings - regardless of the quality of the performance itself. I was at a high end audio store yesterday and the sales person took the position that a really high-end system can make even mediocre recordings sound good. Agree?
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- 123 posts total
- 123 posts total