Hot Rats


Anyone here love Frank? He's a musical genius!

voodoolounge

I bought "The Mothers of Invention - Freak Out" in July of 1966 and became a Zappa listener for my entire life.  Frank's music was always interesting and so perfectly rehearsed there was never a mistake. 

If you saw Frank in person, you would learn that he was the conductor of his "Evil Little Orchestra" and not the star performer.   The musicians never took their eyes off of him because he would improvise something new in the middle of a piece as the concert was as much a free-form event as a totally rehearsed performance. The musicians were so good, well-rehearsed, and understood the music completely so that the slightest hand gesture or nod from Frank could take the entire group through a new transition into another piece. 

For those who think "Don't Eat the Yellow Snow," or "Montana" with the pygmy ponies and dental floss bushes are examples of why Frank shouldn't be taken seriously - I would suggest getting a copy of "The Yellow Shark."   Frank was one of the featured composers along with John Cage, Karlheinz Stockhausen, and Alexander Knaifel at the Frankfurt Festival in Frankfurt, Germany.

The Yellow Shark was the last album he released and the piece was performed live by the Ensemble Modern at the Frankfurt Festival.  The audience gave the Yellow Shark and Frank Zappa a 20-minute standing ovation.  

You don't get that by being an average musician.

Moving to Montana soon gonna be a mental toss flycoon.

Saw Zappa in San Diego in 74 whilst attending naval training. Great show.

Saw Dweezil too a few years back.

FZ band was always top ranked.

Living facts: 

Frank Zappa didn't study sheet music, but required his music to be scored.

FZ did not allow musicians to be under influence neither during rehearsals or (don't even think) on stage

The reason that Zappa’s drummer auditions were “brutal” was simply that his music was brutal to play. Zappa’s compositions were unusually angular and often written in very unusual and complicated asymmetric meter (time signatures) and road maps. Most virtuoso (in the usual sense) drummers capable of laying down a great groove in 4/4 or 3/4 would not stand a chance playing many of Zappa’s compositions and would fall apart very quickly. Same with players on any other instrument.

FZ’s “Keep It Greasy”: Time signature alternates between 19/16 and 21/16 with a slow section (guitar solo) in 11/4…..AND then make it groove, or improvise a solo. Good luck with that!