Your experience in "in their day" brands/components that you remember foundly?


I love music and have enjoyed "high-end" audio for several decades.

 

With this being said, I am interested in hearing what may be your 

"golden oldies" that you have owned?  For me there are many that 

were part of my beginnig.  The original large Advents and a Yamaha 

CA-1000 started my "better gear" travels...that lead to Dahlquists, Magnepans, 

and seperated from Audio Research, Conrad Johnson, early Classe and 

many others.  What were your "roots" that helped your journey?

 

jusam

A Golden Tube SE40 plucked me from the NAD/Adcom components I had been using in the early 90's and into the vacuum tube world.  Oh what fun it was to roll different 6DJ8's in that amp.  And mine didn't even blow up, like most of them!  

It was the first move among MANY in the mid- and late-90's.  I'd hate to count how many components went in & out back in those days.

The brands that rocked my hifi world (in no particular order):

McIntosh, ESS, Nakamichi, SAE, Thorens, Rabco, Audio Alchemy, K'Horns, huge Infinitys, DBX, Hafler, Dahlquist, Acoustat.

Often overlooked and under-appreciated:

The Magical Music Boxes of KLH.  These simple, compact systems would fit on a piece of furniture that the customer already owned and brought high quality music to tight spaces and even tighter budgets.  Featured Garrard turntable with Pickering cartridge and acoustic suspension KHL speakers that could hold their own in a very competitive speaker market at the time.

First hi-fi system, 1973:  Marantz 2270, Philips GA-212 with Stanton 681-EE, a pair of Altec 12" speakers (can't remember the model).  After that, in 1979, Accuphase T-100, C-200, P-300 (two of these power amps) with Infinity RS-2.5 and matching Infinity active crossover, Micro Seiki DDX-1000 with Micro Seiki MA-500 tonearm, Luxman SUT and Ortofon MC-200.  I am still sad that I gave up my Accuphase components to my nephew, who never paid me the agreed upon price and payment plan.  My system today is by far the most resolving, but that Accuphase was really something special to me.

@clearthinker, We had KMA 100s and KMA 200s driving Apogees at Excalibur in Olde Towne Alexandria VA. Dan and Rondi (Krell) would drive down frequently from CT to audition prototypes on our Infinity IRS Vs, some of the best sounding prototypes never made it to production. Bill and Lew (c-j) were 5 miles away and also used the IRSs as a microscope to test new products, the IRSs were at their best with a pair of Premier 5s and a Premier 3 preamp. There was something special about the KSA 50, especially in that timeframe when most SS amps were sub-par, the KSA 50 was sweet and musical.