Speaker polyamory -- or, stories about getting a second set to alternate with your primary

I used to only have one system and was buying and selling and swapping gear. After a while, I had enough to make almost a second system. While my primary system has always been conventional 2- or 3- or 4-way, my second system became both a mix of high sensitivity full range speakers and electrostatics. I believe there is a way to fall in love with all three of those types of speakers for both their strengths and weaknesses. It's similar to cars - would I prefer a Porsche GT or Bentley Continental? Both incredible machines that deliver very different driving experiences.

The primary system at the time was largely a full Modwright stack hooked up to Legacy Focus SE. The second system became a low-watt experience in a 10x20 room with a PS Audio BHK Pre, alternating a Bottlehead Kaiju, Modwright Ambrose A10 (only one ever made) and Atma-Sphere S30 with Oris 200 Horns and Quad 2805 electrostats. It was very difficult to consolidate back down to a single system.

Never done that and won't be doing it now I have found audio nirvana.

However, I would be interested if you could articulate the advantages / disadvantages that such a strategy provides, please.

Kind regards,

BP

I run ESL57s with Orelle Orators (very nice smallish 2 ways) in front of them and switch between the two depending on mood/ music 

Could not afford new equipment, so began to explore vintage.

I have five pair and a lengthy list of others I’d like to own and spend time with; IMF RSPM MkIV and IMF SACM are my grails.

Walsh Ohm 2s and 4s, Infinity, Dahlquist, Magnepan, backed by a pair of RELs.

Every so often I move the current pair out and set up another.

It fascinates me the way speakers present a soundstage, and all of the imaginative attempts through the years to get it right.

I learned to dislike two-way speakers because of mid-range suck out: those I would sell, they never satisfy, but the others are like musical instruments to me - they become part of you after you spend time with them, like a guitar - and I’ve learned a lesson by the dozens of comments I’ve read that all say the same thing: I had a pair of those, I wish I never sold them.

So I have ‘too many’ speakers, but that’s OK.

Great responses so far. @bobpyle mentions that he's hit audio nirvana and doesn't see why he'd have a second pair. Posters have mentioned a bit about why they like the variation which comes with a second speaker -- seems like tonality, dynamics, and soundstage can vary enough that there is a refreshing difference which can be introduced by a second set of speakers.

I'm pretty sure that there is a second set of speakers out there that would do greater justice to the symphonic music I listen to -- so that's another reason for swapping in a second pair -- to make another genre of music come to a fuller potential.