@dz13: Crowded House, good one. How about The Records? And Lene Lovich! I just found an original UK Stiff Records copy of her debut album (of which I am quite fond), which will now sit next to my U.S.A. copy.
Also active in the UK was American singer Pearl Harbour, who had three albums on Stiff Records in the 80’s (Columbia Records in the U.S.A.). She was living in England for a few years, and toured around with Elvis Costello, Rockpile, and The Clash. She ended up married to Clash bassist Paul Simonon for awhile, and I decided it would be best if I kept my opinion of his playing to myself when I was a member of her band in the early-2000’s ;-) . Another swell English gal was/is Rachel Sweet, singer of delicious 3-minute Pop morsels.
@whart: My point about taste being immaterial was said in regard to the dismissal of an entire decade of music, not whether one likes or dislikes that music. Lots of people don’t particularly care for 1950’s Rock ’n’ Roll and Rockabilly, but to therefore characterize that decade as a musical wasteland would be ridiculous. So too is to do the same to the 1980’s.
Though this topic does not I’m sure include the world of Classical music, I gotta mention the albums being recorded and released in the 1980’s by the evolving group of Original Performance musicians, many of them based in the UK. Harmonia Mundi Records (both U.S.A. and French divisions) is a favorite label of mine. Fantastic performances and recorded sound quality, by period/historically-informed specialist musicians and singers. Lots of Baroque music, my favorite period.