Ideal power cord lengths?


A quick Google search suggests there is consensus that the ideal power cord length is 2m.  1m cords sound “harsher” and 3m cords sound “smoother”, with 2m being the sweet spot.  The PS Audio dude suggests that the reason is that the reason is that all cords have an impact on the power, and the greater the length, the greater the impact, good or bad.

I know many will say there is no difference between a 1m cord and a 3m cord.  But my question is, who here has tried like model power cords of different lengths, and what were the differences?  
 

Second question:  How does length factor into the equation when you have a cord feeding a conditioner, then other cords feeding components?  If 2m cords are in fact the ideal, would 1m cords be ideal when using conditioners?

I tend to believe those that say that power cord lengths matter.  While I’ve not been able to do this test myself, I’ve had these two experiences:

  • Testing Audioquest Diamond and Nordost Valhalla 2 USB cables, the cables shorter than 1.5m sounded TERRIBLE by comparison.  Especially the .75m Audioquest Diamond vs the 1.5m version.  But the 1m Valhalla 2 also sounded awful in comparison to the 2m version.  In general this opened my eyes to how much cable length matters, and counterintuitively in the case of digital cables. 
  • I have a 2019 2m AudioQuest Hurricane Source cable from back when AQ braided their cables, and I also have the newer non-braided Hurricane Source, but 3m in length.  The new Hurricane sounds vastly superior to my old 2m Hurricane.  In comparison the older cord compresses the soundstage depth.  I don’t know if the differences are due to the differences in length, or if it’s due to a design change by Audioquest.

Very interested in learning of others experiences with power cord lengths.

 

 

nyev

Cable lifters and vibration isolation are two areas I’m also gonna attack soon too, so I’m in the same boat.  For cable lifters, before buying something I might just cut out some rectangular pieces if cardboard, fold them in half and cut a notch in the top for the cable and see what I hear.  For vibration control I’m pretty much sold on Townshend Seismic spring-loaded isolation products as I’ve never read more consistent and overwhelmingly positive reviews of any other isolation devices.  A little pricey, but they sure seem worth it for the significant level sonic benefits they seem to provide.  Just a couple thoughts FWIW. 

OP,

 

I am happy to hear you want to hear the difference yourself with cable lifters. Tell us what your impressions are. When I was younger, I can’t tell you how much testing I did with interconnects and power cords… many, many hundreds of hours). It was time consuming but incredibly eye opening.

Vibration control. I have quite a bit of experience there as well. I have not had vibration control effect the tonal balance. Not from the old pneumatic (inner tube in a box), heavy composite platforms, springs, or high end platforms like the Silent Running Audio Ohio Class +++ made specifically for my turntable. They reduce the sound floor and focus images and sound… not change the tonal balance.

Anyone wanting to try the cable lifter idea on the cheap (I have yet to install them), I have read that lots of people started out with Tinker Toys.....I believe Danny Ritchie at GR-Research recommends them to start out (believe he may still use them?)  Heck I bought two starter sets for $28 that will be enough for my whole system

 

I was reading in a pro-audio mag, the writer’s experience attending AXPONA for the first time, and his head nearly exploding at the ridiculousness of power cables. This is really why people hate the word "audiophile".... because of this silliness. There isn’t a studio in the world making records today that is worrying about the power cables feeding the racks of processors used to make a record.

... just sayin......