Who is your Favorite Historical Conductor?


For discussion purposes I am limiting this to

1) Wilhelm Furtwangler

2) Arturo Toscanini 

3) Bruno Walter

 

feel free to introduce others.  I will be arbitrary and cut off Conductors who worked after the death of Leonard Bernstein.

  Furtwangler and Toscanini died just short of the onset of the stereo era.  They were however recorded with the best technology of the times, and the work of restoration technology of today has done wonders.  Walter recorded until 1962 but perhaps his best work was done in the mono era.

  Walter was renowned for his “humanity” Furtwangler for his near mystical ability to rechannel German/Austrian music, and Toscanini for his finely chiseled intensity

mahler123

I contacted High Def Tape Transfers for some info. There are a few options for download; DSD, DXD FLAC, PCM FLAC.

Since I no longer have a computer audio setup, I asked about discs. They stopped selling Hires DVD, I doubt there was much demand. Gold Redbook CDs are the highest quality discs from the master ($25). Next, they have what is referred to as "budget CD" ($8.99).

I like that they publish details of the original recordings; ie, Szell Mahler:

Source used for Transfer: Transferred from a Columbia 4-track Tape
Recorded October 1 and 2, 1965 at Severance Hall, Cleveland, Ohio

 

@mahler123 

I listened to the Pristine version of Furtwängler's Beethoven no. 3 (1944) and the sound is astonishing. Going from memory, it sounds way better than Music & Arts. I assume they're the same performance. Do u know if the rest of this cycle sounds this good?

It's pricey, maybe I can find a used CD.

 

Continued...

Here's an excerpt from the review on the above link:

Compared to the Music & Arts remastering that colleague Henry Fogel reviewed in 18:3, the sound here is far more natural—the frequency and dynamic ranges are opened up, and an annoying rippling sound in the background has been totally removed.

 

 

 

@lowrider57 

 

I have the M&A  1944 Eroica.  This was actually my first introduction to B3, albeit on a budget lp that my older sister bought in 1972.  That recording imprinted me; every other recording of the piece has never seemed as Life and Death as this one.

  I did play a bit of the M&A after the last time that I listened to Pristine, and the differences weren't as significant as I thought they would be.  The Pristine is preferable but I think the Fanfare reviews the Pristine regularly uses on their website doth protest a bit to much.

  I actually bought the Pristine Digital Collection, and subscribe to the streaming service.  If you do the latter then you get free downloads.  The only problem with the streaming service is it doesn't work with most of the players that play Qobuz,Tidal, etc.  You either need a computer or listen from a mobile device on the Pristine site.  I use Chromecast from my phone to my Cambridge Audio streamer.

At any rate if you do the streaming service and download from their site once a month you basically have it for free, and there are enough recordings on the PA site to make it worthwhile, imo.

 

   Speaking of Pristine Audio and wartime recordings from the Third Reich, I listened to the Walter Gieseking Beethoven Emperor recording from 1944 that was made in stereo.  I had heard it previously when it was released, and aural memory is unreliable but the Pristine recording sounds amazing.  btw there is a brief audible burst of antiaircraft fire  

Maghister -- I’ve never come across the notion that "Music Commands Time," not the reverse. Absolutely revelatory.