Roger Waters and Graham Nash on The Band.


I’ve just started reading the new book Levon Helm: Rock, Roll & Ramble; The Inside Story Of The Man, The Music, and The Midnight Ramble by John W. Barry (with a forward by Ringo Starr). I’m only on page 25 of the first chapter, and already I have read something I found very surprising:

Roger Waters: "Big Pink changed everything, overnight." (What have I been telling ya’ll? ;-). He continues: "It was sonic. It was the sound that they made all playing together. It was what they created. It was just completely different than anything I had heard before and it was remarkable. They (sic) were great songs as well. When I heard the record I went ’Wow, what was that?’ What a great band they were." No sh*t Sherlock.

Not as surprising is what I read in the paragraphs immediately preceding that of Waters, that being:

"When they served as opening act for the 1974 Crosby, Stills, Nash & Young stadium tour, said Graham Nash: ’I would watch their set with great interest, of course.’

"But even though The Band was opening for CSNY, Nash remained in awe of them and, as a result, was too shy to approach any of the guys or chat them up."

’I should have, of course. I’m not particularly un-famous myself. But I was just too shy. They were too incredible a band in my mind...I mean holy sh*t, they were The Band...they were incredible. They were the best band in the world apart from The Beatles, as far as I was concerned. I was just a fan.’

Every good musician I knew felt just as did Roger and Graham, and still do. The best self-contained band (writing, singing, and playing) in the entire history of Rock ’n’ Roll. You see, Graham had the order reversed ;-) . When Abbey Road came out, it sounded like yesterdays news to me. The Band’s first two albums had completely changed the rules of the game. Those two albums still sound fresh, like they were recorded today. Abbey Road sounded dated to me on release day.

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@bdp24 - a totally awesome track is 'Moon Tune' off of one Nick Gravenites album, forget which one, with some of Bloomfield's best playing I've heard. 

Larsman, that’s off Nick Gravenites "My Labors " album. Is one of a few cuts from Mike Bloomfield’s Fillmore concerts with his vocals that didn’t make the "Live at Bill Grahams Fillmore West" album. Some duplicates too on the CD version. A few other cuts from those Bloomfield concerts are available on the Wolfgang’s Vault site.

Eric, my late wife, as a youngster, got to see the young Elvis perform at a concert he did in Seattle. We can both eat our hearts out on that. She recalled a lot of girl’s screaming and dancing in the aisles.

Mike

@skyscraper: For a couple of shows I attended I was in the best seat in the house: the drummers throne ;-) . One was with Don & Dewey (Specialty Records label-mates of Little Richard, Sam Cooke, John lee Hooker, Lloyd Price, and Larry Williams) at The Continental Club (a Rockabilly joint in L.A.), another in the band backing Emitt Rhodes for his first live appearance in a quarter century, at the 1997 Poptopia Festival, itself a quarter century ago. Don, Dewey, and Emitt are all now gone, but their music lives on. As do, for now ;-), I.

the Stones where much better however i liked The Band when they would back Dylan.