@rtorchia @tonywinga @kota1 @kokakolia @td_dayton @laoman @djones51 and others on this forum. We are a more intellectual group, willing to converse in terms of possibilities in reproduction sound equipment that can be different yet sonically appeal to each of us, even in different ways. Measurements can find faults and limitations (as well as shoddy construction/materials) in equipment, they cannot determine how they will sound compared to one another or in an AUDIO SYSTEM and IN A ROOM (both of which vary more than the possibilities in chess.
Amir appears to be sincere and I don’t doubt that he is not exclusively in it for the money. That does not equate with the nonsensical diminution of non-ASR audiophiles who listen to different music, differently in different systems in different rooms.
Then there are personal choices that run counter to the major audio magazines. I used a Benz Ruby 3 for over a decade with an audio interface SUT with matching resistor impedance. I purchased a Zesto Allesso SUT which sounded slightly better using trans matching impedance. When I replaced the worn cartridge, I sought something that would play most of the 28,500 LPs and not just be outstanding on 20% of my collection. My friends were gaga over the Dynavector 20x2 H which I also heard great sound from. I purchased the L unit since I had the Zesto. At max gain and 100 ohms, it was a perfect match, including my modified SME IV arm. It doesn’t have the very wide separation of a $4K to $18K cartridge (many do) but the tonal balance is to my liking despite missing some resolution.
Here is the choice, resolution over tonal balance. I would not own a Lyra as I consider them tipped up in the highs (compare the measurements). My Dynavector has a flat frequency response. I like that. See-measurements can help determine something. But that was only a starting point. Without my Zesto SUT, I may not like the Dynavector low output as much in my system.