What is the “World’s Best Cartridge”?


I believe that a cartridge and a speaker, by far, contribute the most to SQ.

The two transducers in a system.

I bit the bulllet and bought a Lyra Atlas SL for $13K for my Woodsong Garrard 301 with Triplanar SE arm. I use a full function Atma-Sphere MP-1 preamp. My $60K front end. It is certainly, by far, the best I have owned. I read so many comments exclaiming that Lyra as among the best. I had to wait 6 months to get it. But the improvement over my excellent $3K Mayijima Shilabi was spectacular-putting it mildly.

I recently heard a demo of much more pricy system using a $25K cartridge. Seemed to be the most expensive cartridge made. Don’t recall the name.

For sure, the amount of detail was something I never heard. To hear a timpani sound like the real thing was incredible. And so much more! 
This got me thinking of what could be possible with a different kind of cartridge than a moving coil. That is, a moving iron.

I have heard so much about the late Decca London Reference. A MI and a very different take from a MC. Could it be better? The World’s Best? No longer made.

However Grado has been making MI cartridges for decades. Even though they hold the patent for the MC. Recently, Grado came out with their assault on “The World’s Best”. At least their best effort. At $12K the Epoch 3. I bought one and have been using it now for about two weeks replacing my Lyra. There is no question that the Atlas SL is a fabulous cartridge. But the Epoch is even better. Overall, it’s SQ is the closest to real I have heard. To begin, putting the stylus down on the run in grove there is dead silence. As well as the groves between cuts. This silence is indicative of the purity of the music content. Everything I have read about it is true. IME, the comment of one reviewer, “The World’s Best”, may be true.
 

 

mglik

Absolutely true that there are many ways to approach this subject and one of those ways is never losing sight of the importance (for some) of NOT separating the act of music listening from the process of building a system. To do so is an approach that strikes me as wrong headed. A system cannot be SOTA if it doesn’t do a good job of honoring the music. It may be SOTA on paper, but so what?

i guess one man’s perspective of listening opinions not being respected, is another man’s delight over splitting hairs over hifi equipment.

so time for me to go fishing. or......be where my listening opinions are more respected. the balance here is just not for me. not really that big a deal. posters here don’t need to know my opinions about gear they mostly have never heard. here it’s more about the trees, i’m a forest guy.

why should i be where i’m mostly a target since i bring listening opinions that are then attacked to feed the hair splitting? does not make sense....to me.

btw, it’s possible to split hairs and also respect listening perspectives. but here it does not commonly happen. the hair splitting gets focused on attacking the listening opinion credibility, especially at higher priced gear. the balance is a forum culture question.

Personally, I think this forum needs more voices like yours. I hope you reconsider.

@mikelavigne 

I don't post often... but I do enjoy reading your posts, hearing about your thoughts, insights, and experiences with all kinds of different equipment, systems, etc.

I value your presence here as many others do as well.

Please don't leave us.... otherwise, what is the point of us staying here too.

Wishing you all the very best!

Don