Hey Kota1
Nice post on your system. Yes Galaxy has been one of the top players in "good sounding" studios in the EU for a long time. Check out the latest from MIraval, the revival of an old room. Also British Grove in the UK is spectacular.
Reference level, I'm not sure what that boils down to for you in SPL, but I know Dolby likes systems to have reference ATMOS rooms somewhere around 118dB capability. Not easy without distortion but we have several rooms that function at that level: Blackbird in Nashville and Ben Walfisch's Mix Lab room in Santa Monica. I cannot listen to anything that loud, it hurts!
We have quite a number of guys using our stuff in film composing/scoring world, such as Alan Meyerson at Remote Control for Hans Zimmer, or Shawn Murphy. They are both A level players in that community.
All the gear used by these guys is all active, typically ATC SCM100A for scoring or SCM150A or SC 300 A for Atmos mixing.
I wouldn't mind at all posting what I have at home, but i have not tried to figure out how to do that on Audiogon. To be fair, my system changes all the time as I bring samples home from my office or take samples back to sell off. I have a ATMOS rig at home and at work, both similar, based around ATC HTS 40s, and HTS 11 for sides (7.2.4) and HTS 7 for overheads. I use two ATC C1s for subs at work and 2 Subwoofer Pros 12s at home.
Brad