audphile1,
I wouldn’t try it. I bent the stylus of my previous $1000+ cartridge by leaving the needle on the stopped record and accidentally shifting it with my hand.
Especially if your wife decides to do some dusting around the turntable...
Cartridge burn-in
Hi to all analog friends here,
Any time I purchase a new cartridge, when I set it up and sit down to listen to it, I cringe a little. It always sounds stiff, harsh, glassy, shrill. Then, after a few days/weeks of playing, it appears to 'break in' and start sounding relaxed, more musical, sweeter, less straining, presenting the music with better flow and finesse.
Common wisdom teaches that the cartridge, being a mechanical component, needs to loosen up its suspension. So, the only way to really hear what the cartridge is capable of is to play it for at the minimum 20 to 30 hours (some sources even say 50 hours).
OK, makes sense (kinda). But an alternative explanation is also possible: whenever we replace our current cartridge with a new one, the new one will sound different. Maybe it is this different, unfamiliar sonic character of the new cartridge that is causing us to feel that the sound is harsh, metallic, unpleasant, strenuous? Then, after a few days/weeks with the new cartridge, our ears and our listening habits get adjusted to the new type of sound, and we grow to like it.
This gradual conditioning to the new type of sound is then called 'cartridge break-in'. But maybe the cartridge doesn't really break-in; maybe it is our ears and our listening habits that gradually break-in and get accustomed to the new sound?
What do you think?
I think all break in and/or burn in is a combination of the product and your expectations. I remember when I upgraded my tonearm on my Linn from a Rega to an Ekos, the presentation changed quite a bit and it took a while to reset my brain to accept the new sound. But a cartridge definitely requires some mechanical break in to sound like what it’s supposed to sound like. |
@rvpiano that stinks! |