Zavfino Majestic USB Cable

@soix +100 Guess the poor lads DAC and digital front end are not that revealing? 

He has no ide all that he is missing when it comes to soundstage, depth, separation, and detail. 

Need to go to the bowl and find more adjectives.  But you get it and as well as @thyname 

panzrwagn

... it does qualify me as an expert,, seeing as how AT&T invented the opamp, the venerated 300B tube, the transistor, and yes, digital audio: Digital Pulse-Code Modulation was invented at Bell Labs in the 1930s ...

Let me get this straight: You're claiming expert status based on the achievements made by your employer?

So it might do you both well to get your facts straight, avoid the ad hominem attacks and actually learn a thing or two about digital communications.

So the ad hominem attacks are only to be used by "experts" who once worked for AT&T?

I understand, in order to avoid the Pretence of pity in this case we should pretend to hear what others may or may not. And further we should not believe what we hear. Simple panzrwagn, close your mind/ears join the follow me camp. File those opinions and Education in the green bin. If one should dare to walk down train tracks don’t worry if you hear one coming…it’s not there. Enjoy the tunes folks, that’s real….I think.

@1971gto455ho head on over to ASR I guess.  They are like minded and like to beat people down and attack them for opposing views. 

@panzrwagn I work for a c company that builds robotics and linear controls that are used on the ISS and the Mars Rover. So with your logic I am an subject matter expert on space travel and rocket science. Oh we also own Dimond Chain that was on the Wright Flyer so am I a aerospace expert also? 

@jerryg123 Eexpertise in rocket science? I don't know, you'll have to tell me. 

I do know I brought my technical experience in analog to my work in digital communications and networking, where it served me well in developing high bandwidth and high capacity network architectures, especially in paying attention to grounding and noise management in high density rack installations, beginning with T-1 (1.544 Mbps) and T-3 (45 Mbps) in the early 90s to OC-12 (622 Mbps) circuits in the early 2000s. And by 2008 AT&T had upgraded over 80,000 miles of carrier backbone to OC-768 IP/MPLS 39 Gbps. About the I changed roles developing high-cap data replication, but now most of the network is100GbE moving towards 200 and 400.

And that's my point. No matter which music streaming service you're using, no matter where in the cloud (or rather which hosting services are used), there's a shit-ton of networking and thousands of miles cabling, both copper and fiber involved, none of it anything more than regular commercial grade. Swapping out the last 72" will give you better zeroes and ones?