Would silver cables beat UP-OCC copper?


All things considered, which is the better choice for best sound, silver (for example, Siltech) or UP-OCC copper, such as Furutech or Neotech? Thanks.
dave_72

@mitch2 - I'm very happy with Steve's Helix design.   I have used silver from Chris in the past, but OCC solid copper (partsconnexion) with teflon and the Helix wrap has become my reference.  About to try a triple C (Acoustic Revive) wire to see if I can tell a difference.

Only build XLRs, no RCAs.  Strictly from my streamer/dac to amp.  Although, really intrigued with all in ones that make cabling (which I loved to build) a moot point...

+1 soix.  I also use AZ Silver Ref (version 2) and it is not at all bright, but rather extended on both ends, overall neutral, with just a hair leaning towards the "warm" side.  Completely natural and non fatiguing.  TBH, I'm not sure why the fallacy that "silver is bright" persists, where as you say the implementation is the main factor in cable performance.

@gakerty

TBH, I’m not sure why the fallacy that "silver is bright" persists, where as you say the implementation is the main factor in cable performance.

My experience with silver wire cables mirrors yours, no issues with bright, harsh or thin presentation. Actually in my audio systems through the years silver tilts just a bit toward warmth and full body tonality. Yet providing excellent resolution,clarity and maintaining a terrific sense of musical pace and flow.
 

To be fair, all silver cables aren’t the same and certainly could reflect the different impressions people report. And of course, different systems/components used.

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@steakster 

So, my guess is that ’bright’ is based on one’s individual hearing. It helps explain why we like certain speakers - or components. Of course, other factors need to be taken into account: the room, the cleanliness of the power, the synergy of the components with each other and with the cabling.

In other words, everything matters. LOL.

Agreed

Numerous variables and circumstances account for different listening experiences reported with audio products.

Charles