If you had $12k / £10k to upgrade your analogue front-end...

"Rega P8 (I prefer it to the P10)"

why? I am curious

If you heard the P8 and P10 compared in a store demo you would almost certainly prefer the P10. It sounds bigger, more dramatic, more detailed and more dynamic. But if you live with the two for a while, it is another matter.

I owned both the RP8 and the RP10 at the same time, and then the P8 and P10. I ended up selling the RP10 and the P10 for the same reason. The ceramic platter gives the P10 a slightly brittle, slightly bright sound, and notes seem to be fore-shortened. There is a sense in which musical notes do not develop the full range of harmonics, and it sounds oddly artificial and fatiguing. This was with a range of cartridges, using the same phono stage. The P8 sounds smaller, less dramatic, less detailed - but more "normal", IMO more musical and engaging in the long term.

The arm on the P10 is better. I ended up putting a Cardas re-wired RB2000 on my P8, and with an external PSU instead of the Rega wall wart, and this to my ears sounds excellent.

But I should add that the P8 is not my main turntable, which is a Lenco-based PTP Solid 9 with Audio Origami PU7 arm.

@grislybutter 

i was once of the thought that a phono stage requires less of the budget. However - especially with MC’s they actually have the most difficult job in the amplification chain having to keep noise low and amplify the signal the most. I think that once you get to a certain level (transcription I’d say such as Linn LP12 - Roksan Xerxus - Rega RP 8 or 10) you really see a greater benefit. My analogy being that an average driver won’t make the best off an F1 car and won’t be much slower than an F1 driver - put them in an F1 car and the normal driver won’t even be able to get the brakes up to temperature. It’s a bit of an exponential ratio that can’t really be calculated in simple numbers. An average cartridge with a great phono stage would be far better than a great cartridge and an average phono stage

@terry9 The Dais looks very cool: 

@tablejockey @liamowen Loud and clear regarding the Aphelion.

I generally run two turntables in my main setup. The one that has not moved in a decade is a Pro-Ject Extension 10. It’s a fantastic rig that does not get a ton of press. It’s a bit of a beast. I just upgraded to the Pro-Ject RS2 phono stage and have a Hana ML on it. Those all work incredibly well together. The Hana replace a low output Blackbird. I’m about to replace the Hana with one of the nicer Sumiko cartridges. 

My second turntable is (now) a 1200G. I had a heavily modded 1200 mk2 before it that is in my office. The 1200 is nice if you want to easily swap cartridges - which I do. I’m moving the Hana to it, but I also run a Soundsmith Carmen MKI, the Blackbird, and a Grado (can’t remember which one). I’m about to get the Pro-Ject RS2 for it as my other phono pre uses dip switches and I need to make frequent enough adjustments when I change cartridges. 

I had the P8 in the system for a while. My first ‘real’ turntable was a Planar2, and I had always wanted a nicer Rega. In my system and room, I did not love it. Although I find myself looking at the 10 pretty frequently. 

As others have said, you can get a really nice analog setup with that budget. Enjoy!