The live performances cited by @petg60 are of excellent SQ because they were recorded by SOTA mobile recording trucks or in-house control rooms. OTOH, a good soundboard recording would be supplemented with a submix of dedicated mics. All live classical and opera would be recorded the same way as all their recordings in an empty concert hall or soundstage.
I often saw the 60ft trailers recording sound outside Lincoln Center, Carnegie Hall, or the Academy of Music in Philly. That was when I was young, later in my career I was working in either the sound truck or companion video trailer.