Any insight with the Berkeley Alpha DAC ..??


Reference Recordings, which had had some spectacular CDs on the market is launching a "HRx" DVD-A product which is 24bit and sampled at 176.4 or 88.2 kHZ ...They recommend using a Windows XP desktop fitted with a Lynx AES 16 card and a Media Monkey as it's player and play this 2 channel DVD-R disk through a BERKELEY Audio Design Alpha DAC.

This has been favorably mentioned as a breakthrough in the Absolute Sound April/May edition....has anybody had any experience with this???

I would appreciate your response. Thanks
128x128jafo100
Steve, is there any inherent advantage to any of the three approaches? Specifically, on a Mac, one could go out via any of the three -- USB, Firewire, or S/PDIF via the optical out. Which is better? And for the future, when we can hopefully expect to start downloading 24/96 or even 24/192 music, which solution will support the high rez stuff and be most future proof?
Drubin - as for devices that use the audio stack in the computer, they are all the same in theory. However, the implementations and protocols used make some devices superior to others.

PCI cards are the worst because they rely on too much of the computer infrastructure, including the clocks and power system. Outboard converters, both USB and Firewire are generally better. However, there are good and poor chips available for both USB and Firewire, so it depends on the chip that was chosen for the converter, as well as the implementation.

By implementation I mean the Power System, PC board design, circuit design, cabling etc..

24/96 is supported on some USB converters/USB DAC's that use the TAS1020 chip from TI, as well as some Firewire converters. Only a couple of PCI cards support 24/192 at low quality, however they can be reclocked to provide high quality 24/192.

If you have to have 24/192, then a PCI card driving a reclocker is the best solution. If you are happy with 24/96, then USB is the best solution IMO.

Steve N.
Empirical Audio
Thanks Steve. There are an increasing number of USB-capable DACs out today, including the Benchmark, the Bel Canto, PS Audio, and several Wavelength models. At least for the first three, my impression is that their USB inputs are not exactly setting the world on fire. Why is that? Is there a trick to processing an audio signal via USB?

Back to the Berkeley Audio unit, I wonder how the new Bryston DAC stacks up against it. The Bryston, at 40% of the price of the Alpha DAC, seems fairly comparable features-wise, with the exception of no volume control and no HDCD. Just curious to hear peoples' impressions of both of these as they start to get out into the market. Given the price difference, you would think the Berkeley would be in another league -- and it may be -- but Bryston is, after all these years, probably quite efficient at design and manufacturing and they maybe can deliver more for less than a small company like BAD can. Maybe.
Drubin - I dont like to comment on the performance of other companies products on the forums, so I will send you an email.

The Bryston DAC unfortunately uses one of the lesser TI chips, not one of the good ones. However, I am actually in talks with Bryston about them designing my OEM USB module into their DAC, so this could improve significantly. There are several other manufacturers already designing the module into their products and you will see some of these debut at RMAF in October.

The Berkeley DAC is evidently designed by the Pacific Microsonics team that designed the excellent D/A modules in the past. I'm sure that the D/A module is a good one, however I believe this is their first "system" product. Have not heard one yet.

Steve N.
Thanks Steve. I look forward to seeing those products at RMAF. I assume you'll provide pointers to brands and room as the date approaches?