@lalitk , thanks for sharing, and for the advice.
I may be able to get demos of DACs in simultaneously with the next server, and, depending on the value of the DAC, purchase it too. That might be doable with a DAC like the Holo May KTE (although I won’t be able to get a demo of that one - but this is the level of DAC I could purchase alongside the next server).
The DACs mentioned by others above like the Bartok are more expensive, but are combo streaming DACs. So would a lower cost DAC-only, at the level of the Holo, be reasonable to trial? I see Musetec could also be interesting at an even lower price. But these DACs are a lower cost than the cost of my current Gryphon Diablo 300’s DAC module. So do I actually need to go higher? I know cost isn’t the deciding factor in performance but I’m just trying to plan at what level to engage. I can do another server + a Holo level DAC, but not another server plus a Bartok (which I could demo first but would only do so if I could potentially buy).
Also, somewhere above I changed my go-forward approach to require server capabilities. This is because I discovered for the first time that my system has become revealing enough to make the difference in quality matter to me. Once I settle in on a solution, my plan is to build a library of files but limited only to my absolute favorite material. The rest I will stream.
To be clear, I’d still be considering the K50 (or the MU1 despite that the K50 is more flexible) in conjunction with getting some DACs in as demos, at let’s say the $7k level or lower. Might be too limiting at that level? While I’m unable to get home demos of the servers I’m interested in here, there are a few other dealers who are more demo friendly that I might be able to borrow interesting DACs from.