I am listening right now to something I suspect may well be every bit as good but at a fraction of the price.
The Achilles Heel of clocks is not the oscillator but the power supply. The oscillator I use is a power supply tuned to 0.001 (one-thousandth) Hertz, the measurement limit of the equipment I have here @ 3 Hertz and -133dBu - and the noise at that frequency is the same whether the probes are connected to the power supply or shortened. That means that it at least 20dB better than and possibly better than -160dBu. The noise is so low at 3 Hertz that it is virtually unmeasurable by any existing measurement tools that I am aware of. But since the noise floor is flat at 3 Hertz it likely continues so below that.
BTW, analog circuits have virtually all rising noise at LF, and that includes batteries. Even batteries are woefully inadequate! We need a noise floor 100+ times better than batteries.
The result of this clock power supply to the sound? It is IMPOSSIBLE to describe. It makes the player feel so grounded and solid, REAL. IF you are into ULTRA-transparent sound, this is the way. One of the most common reaction I have gotten is that it sound oh-so-ANALOG!!!!
The current President of ASoN (Audiophile Society of NSW) currently has a player where this is fitted. The player is an upgraded $500 CD Player by Harman Hardon and it out-performs his extremely expensive Linn CD12 (what do they go for?).
I want to make a point that is of supreme importance. LOW frequency jitter is the most objectionable jitter. I have seen situations where a trading off increased higher frequency jitter, ELEVATED the high frequency jitter, in exchange for LOWER low frequency jitter, where the TOTAL jitter is increased but the sound HUGELY improved. Yup, higher jitter yet better sound, crazy eh? Not all jitter is equal.
I also want to make this final statement. At what point in LF does jitter not matter? LF noise = LF jitter. Our research shows that SUB 1 Hertz jitter is crucial. By tuning our clock power supply to 1/1000th of a hertz, we are literally creating a Black Hole for the noise to be trapped.
Anybody here in Sydney, Australia, want a demo? Let me know.