What is you tonearm’s Maximum Distortion?

@intactaudio : It’s only a parameter manipulation and that is the SAT tonearms alignment. At the end is not rocket science. Btw, Did you already test that kind of alignment?, I do and you can be " surprised " by. 

As Mark SAT designer says and makes sense:  " The null points for the SAT arms are located at 80 and 126mm. Ultimately, this was a choice of enjoying a consistently higher level of fidelity for 95% of the time over having less angular error on 5% of the tracks. "

Exist rules but to each one of us can be broken in favor of quality performance with MUSIC.

That alignmnet by SAT is wrong? no it’s only different and when tested each one of us can decide about. What you think or what I think is only that " think " as is non-important in the whole alignment game: it’s each one game not yours not mine.

R.

@rauliruegas 

It’s only a parameter manipulation

Only a parameter manipulation??? If the parameter manipulation is kept hidden then there is another term for it.

dave

If the numbers in the table published here by optimize are correct, two things pop out at me. First, the distortion figures are below 0.5% or equal to 0.5% in all cases. Given all the other distortions inherent to vinyl reproduction, does anyone here think he can hear the difference between 0.5% and 0.3% distortion? second, there is a dissociation between the magnitude of the tracking angle, error, or at least the maximum magnitude of the tracking angle error and distortion. Isn’t that interesting?

@lewm 

I am skeptical in using the calculated number for anything other than crude relative comparisons and find the plots to be much more telling of the relationships at hand. Below are the plots for the table @optimize posted above.  From looking at the table the Löf B sure looks appealing but the plots tell a different story if you are at all concerned about the last track on an original Blue Note.

for reference, here are the plots of the "low distortion parameter manipulated" alignment @rauliruegas posted.   When using a similar alignment I have found no point in listening to the last track or two of a side.

I have found that that the traditional 2X weighting factor is not representative of what I hear and that the weighting should be more like 4X. It seems you really need to cheat things to the inner groove closer to Stevenson to get a full side of high quality reproduction.  The last little tidbit is in general the numbers from these charts need to be multiplied by a factor of 5-10 to actually be representative of a real world measurement.

dave

@intactaudio : " If the parameter manipulation is kept hidden then there is another term for it.. "

Well, don’t tell to me but directly to the SAT designer. The OP P2S 225.. was asking for better numbers and the SAT ones gaves it.

" I have found no point in listening to the last track ... "" that's at least untrue because the higher distortion happens only with the LP that has groove modulations  up tp 60mm ( inner groove ) and even that you don't know if could be aware of it due that distortion goes in increment or decreasing groove to groove and ears goes accustom to. Not easy todetct it. Don try to " satanize " it: bad attitude.

Btw, have you an alignment with no trade-offs? and if you don’t have it then maybe it’s the rigth time that you do it because you critic and critic but don’t give nothing in change. Yes, you are free to post whatever you want but could be bette to leaft to critic the standard alignments and show a no trade of alignment that we all can name intactaudio. Show something and stop critic because that critics goes not against me because I did not any alignment I only use it as all audiophiles.

Which tonearm/cartridge alignment are you using?

R.