The Sphinx likely uses tubes for the phono section, so low noise is paramount.
For maximum RIAA fidelity and channel balance, the g1/g1 and g2/g2 sections need to be well matched, assuming the same topology for each channel.
The big fly in the matching ointment is that tubes seldom match across the entire operating range and matched tubes are matched in a matcher, NOT your amplifier and thus operate under totally different conditions. Tubes matched on one matcher may have very different numbers on another matcher.
Tubes matched today aren't matched tomorrow as they age at different rates.