Marantz pm8006 vs Denon PMA-1700NE for combined home theatre and music room


Hi everyone,

I am looking at how I can combine stereo and surround sound in one AV system so I can switch between music and movies.

I have a Denon x3800h driving a 5.1.4 Atmos setup. I also have another room with some ceiling speakers that I want to drive from this room and will be used only for music.

I was thinking of using the x3800h for my Center Speaker, Surrounds and 4 Height Speakers. I was then thinking of running the fronts via pre-out to another amplifier which has a main-in/HT-bypass to drive the fronts whilst watching movies. If connected via a main-in, it converts the stereo amplifier into a power amp only with the Denon x3800 having full control over volume etc...

When listening to music, I have a Wiim Pro that would connect either direct to the stereo amplifier or via an outboard DAC and drive the fronts and/or a second zone in the other room.

Based on the above requirements I was looking for a stereo amplifier with both a main-in/HT-bypass and supports 2 speakers zones.

Via this very useful site, http://audiophile.no/en/articles-tests-reviews/item/426-amplifiers-with-processor-input I have narrowed my options down to The Marantz PM8006 and the Denon PMA-1700NE. 

Does anyone have an opinion on which would be best to provide good sound to my fronts for home theatre as well as good sound for music?

Thanks

cainullah

@kota1 I think it really depends on the OP’s priorities. If he really wants to squeeze the nth degree of performance for HT I could see going with a 3-channel amp and stereo pre, but I think bi-amping is unnecessary and he can just use bi-wire speaker cables. The Yammy integrated I recommended is no slouch, and the Fyne speakers are a fairly easy load as well so high-power amps are unnecessary. Yes the center channel in HT is critical, but especially for movies the center is usually doing something very different from the L/R speakers, which is probably why having an AVR driving the center channel hasn’t bothered me very much and still find the presentation very enjoyable. I think having the same amp across the front is more important for something like surround music but not sure that’s a priority for the OP. Bottom line — I think the OP will be perfectly happy using a good stereo integrated with the Denon handling the center, but if he wants to up the HT performance higher than that for what to me are marginal gains, that’s totally up to him. There is functionally no added benefit to using a separate stereo pre versus an integrated, although if he spends more on a better stereo pre and 3-channel amp there could obviously be some additional sonic benefits to be had, but this will come at a price. It really just comes down to priorities and budget and how far he wants to go. To me, he’s already got a dedicated stereo system so there’s not as much of a need to go further with this system, but that’s up to whatever the OP wants. Just my $0.02 FWIW.

I have a combined system...my Rowland amplifiers always drives my fronts and my Anthem components drives my center and rears in a 5.2 surround sound system. When I listen to 2-channel my Anthem components are turned off. Marantz component that I’ve owned caused ground loop issues. The ground loop issues were eliminated when I switched to Anthem.

but I think bi-amping is unnecessary 

You are telling the OP to get an integrated amp by Yamaha, even Yamaha says you should bi-amp:

THE PHYSICS BEHIND IT

When an electrical current (i.e., audio signal) flows through a speaker wire, a small magnetic field is generated. Conversely, when a magnetic field is passed through a wire, an electrical current is generated.

Low frequencies such as the sound of a bass drum need large amounts of current to move the woofer in the speaker and push air across the room (thus producing sound waves we can hear). The signals that are sent to the tweeters in speakers (such as, for example, the “ting” of a triangle) require much less electrical current to make the small dome of the tweeter move. Nonetheless, both cause magnetic fields to be generated in the wire.

The problem is this: If that thud of a bass drum and the ting of a triangle are sent down the same wire at the same time, there is potential for audio degradation of the sound of the triangle. That’s because high frequency signals (with their relatively low currents of electricity) are susceptible to being unduly influenced by the higher-current low frequency signals (and their associated magnetic fields) simultaneously being sent through the same wire.

The solution is to separate the two signals via bi-amping — something that greatly reduces interactions between the two signals. The internal crossover network in the speaker restricts low frequencies from traveling through the high-frequency wire, thus smoothing out the signal path for the tweeter. It’s like driving on a newly paved road versus a dirt road. You’ll get there either way, but traveling on the paved road will get you there in better shape.

By the way, you may think that bi-amping seems like a good way to make your speakers louder. After all, two 100-watt amplifiers powering a speaker should make it sound twice as loud, right? Wrong. Thanks to the laws of physics (which state that there’s an exponential relationship between power and loudness), in order to hear something “sound” twice as loud, a speaker needs to receive ten times the power. Simply the doubling the power only produces a small increase in level, so bi-amping really doesn’t make the sound any louder … but it definitely makes it better, with cleaner, solid bass and more detailed highs.

 

https://hub.yamaha.com/audio/a-how-to/how-and-why-to-bi-amp-your-speakers/

@kota1 Sure, all else being equal bi-amping is nice but obviously costs more, and remember this is the OP’s second system so he may or may not feel the need to throw the works into this mixed-use system when he already has a dedicated 2-channel system for more serious listening. Between us he’s got two good options so really comes down to what his priorities and budget are.

The cost is actually surprising, that Rotel 6 channel amp costs $500-$600 on the used market, its less than the receiver!