Yes, I’ve been too lazy to get my system profile(s) up (5 total). Sorry. My HT set up is essentially at Kaleidescape-based system with big Marantz receiver, B&W’s all around (ATMOs) and Sunfire sub. This is what I settled for after retirement. We chose a motorhome over the ultimate HT. It was the right call for us. In my "part time" 75-hour work week, I was heavily involved with Marantz, Mac and Arcam electronics (and some Sony ES, Pioneer Elite and Denon). Along with B&W, we used Golden Ear, Klipsch, and JL Audio subs. REL subs were on my "wish list" but I hit the eject button on my career before this happened. Separates are far more definitive in my experience. Even at low volume levels.
My post was centered around the dedication to those who write and produce movies. I’ve discovered that there is a lot that goes into the most mediocre of scenes that is under appreciated (or, lost entirely) without the right setup. Hearing things at home the way the sound engineer intended certainly adds a level of enjoyment and appreciation for the work.
Sounds like you’re still at it. Good luck with that.