Single driver speakers without the pitfalls?


In researching SET amps, I have learned a lot more about the sort of high efficiency speakers that they are typically paired with, including single driver models like Omega, Blumenstein, Teresonic, etc.
The advantages of these designs are well acknowledged: coherence, imaging, high-efficiency and so forth.
At the same time, there seem to be equally well acknowledged drawbacks to these designs: Limited bass response, rolled off highs, and a harshness or "shout" in the upper midrange.
Some designers, like Tekton and Zu, seem to take the approach of getting the best of all worlds by joining a wide range driver to a tweeter of some sort. (To some extent, my Reference 3AM De Capo monitors take this approach.)
What I'm curious to learn is whether you think there are any single driver, full range systems that transcend the above limitations.
Eager to hear your thoughts.
rebbi
For about three years I listened to these and loved their sound.
Acoustic Technologies
They were at their best with vocals, strings, small Jazz combos.
I had some Decware HDT which had great bass (passive radiators)and no horn negatives. Now I have some Decware MG944 which also have good bass and no honk (2 woofers and ribbon tweeter with no crossover).
I think what you describe is the idea behing dual concentric designs like the tannoys.
I'd agree large dual concentric drivers in a large box like the big Tannoys (have never heard) is probably the optimal approach for use with low wattage amps, especially for more near field listening scenarios. Dual concentric has less unique advantage listening from a distance where drivers can blend more naturally due to more distant listening perspective.

KEF is big on dual concentric speakers, but not for low power tube amps in particular.

I mentioned nearfield listening. There are many more options there for low power amps due to proximity to speakers.

Driver assemblies that approximate a point source (like single or dual concentric) will have an advantage from a coherency perspective for nearfield listening scenarios in particular, but other designs that approximate a point source as well to various degrees may work quite well, depending on exact listening perspective.

Small studio monitors are commonly used in pro apps for more nearfield listening scenarios. Of course headphones play a huge role there also for good reason.

Whenever the low end is offloaded to a good sub or two, teh options for mains always becomes greater, almost unlimited.

Practically, if it were me, I would lean towards a two driver approach off loading the bass to a better qualified design as needed. In the case of a low power SET amp, that would mean separate powered subs in most rooms.

Offloading bass to a sub when needed is pretty much the only solution. You can add the subs yourself, the most practical and flexible solution I think, or buy a large speaker that has what is needed built in already.