Musetec (LKS) MH-DA005 DAC


Some history: I was the OP on a four year old thread about the Chinese LKS MH-DA004 DAC. It achieved an underground buzz. The open architecture of its predecessor MH-DA003 made it the object of a lot of user mods, usually to its analog section, rolling op amps or replacing with discrete. The MH-DA004 with its new ESS chips and JFET analog section was called better then the modified older units. It has two ES9038pro DAC chips deliberately run warm, massive power supply, powered Amanero USB board, JFET section, 3 Crystek femtosecond clocks, Mundorf caps, Cardas connectors, etc., for about $1500. For this vinyl guy any reservation about ESS chips was resolved by the LKS implimentaion, but their revelation of detail was preserved, something that a listener to classic music especially appreciated. I made a list of DACs (many far more expensive) it was compared favorably to in forums. Modifications continued, now to clocks and caps. Components built to a price can be improved by costlier parts and the modifiers wrote glowingly of the SQ they achieved.

Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at http://www.mu-sound.com/DA005-detail.html

The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."

melm

@midwesternaudio

It is unfortunate that Audiogon does not provide a search-within-thead function. For an extended thread like this one it would be invaluable. It turns out that much of what you have written has already been the subject of much discussion. It’s good though to be reminded of these important considerations.

As for the discussion in this thread and the designer’s initial response you may wish to look here and in the surrounding posts.

There has been much discussion about using the 10 year old LKS 100 USB converter, with mixed experiences. My own view is that the USB to I2S conversion is better done within the Musetec as it has more sophistication in its power supply and in its crystal clocks than does the old LKS DDC and involves one less cable. I think the unique approach to USB to I2S conversion in the Musetec is one of its great advances and contributes to its performance. On the other hand, we may agree that one can achieve theoretically better SQ using the Musetec I2S input if the USB function can be avoided as with the Jay’s Audio unit. Look here, here and here and in the discussions nearby.

I have recently replaced my entire system. To get started on the digital end, I purchased a Cambridge cxn v2, had it modded from ModWright for tubes and have a Topping d90. I wanted each extreme so I could determine the sound I wanted in the end. I’ve decided I prefer a more neutral dac and started my research process. I was first going Terminator 2, then Benchmark dac3, maybe Venus 2. I decided to slow down and researching more has led me here. Really pleased with what I’ve read about the Musetec and I think my decision has been made. I was going with the Lumin u2 mini but after reading about how good the i2s imput is into the Musetec, I’m hesitant. The Lumin has such low jitter, is stripped down for focus on sound, that it is sort of perfect in that price range. The hunt continues…

I just got a Sonnet Digital Morpheus dac to replace my L.K.S. dh-da004.  I was going to try the Musetec dh-da005.  The Sonnet and Musetec are about the same retail price.  The Morpheus is a totally different sound from the LKS, much more detailed, lively, natural, quieter, better soundstage.

Anyone compared the Morpheus to the Musetec?

Anyone compared the Morpheus to the Musetec?

i have had both the sonnet morpheus as well as the 005 (both now sold) but not at the same time, so audio memory is suspect at best when there is a span of time between a and b ... but with this caveat, i would say based on my recollection, the musetec is a slightly richer smoother but more closed in sounding unit, whereas the sonnet is more open better imaging but a touch grainier in the upper regions and lighter weight down below - as such, i think of the 005 as more bottom-up, and the morpheus more as a top-down sounding one... all in all i would say i preferred the 005 over the sonnet in my system (i am very sensitive to any treble or upper mid grain)