I prefer Rega because:
- Lifetime warranty
- Simplicity of set up (with Rega cartridges)
- I appreciate their application of the low mass turntable
audition if you can, it’s your preference that matters.
Rega P3 vs SOTA Comet III
Looking at a turntable upgrade...going from the base Pro-Ject model (essential), and have narrowed it down to a Rega P3 (current model with RB330) or a SOTA Comet (series III with RB 300). The Rega comes with an exact 2 cart and can be had for $1,100, the Comet, being a series III feels like a steal at $600, but comes without a cartridge.
For context, system is:
Vandersteen 3a signatures, powered by audio research D300, Denon 4700h pre, and Pro-Ject tube box phono stage.
So all things considered, Rega P3 vs Sota Comet series III? I respect this forum and grateful for any feedback/opinions.
My signals get coupled to the air with 2C speakers… and it sounds pretty o’rioght. I am pretty sure that the Comet is more of an entry table… You either need to listen to em, or just roll the dice. So it is kind of an “I dunno” shrug to recommend what to do in a some sage way. |
+1 for the SOTA, but I would change the Rega arm to an Audomods arm, with a one piece harness and KLE Innovations RCA plugs I’ve had the older Series III with the Micometer VTA Adjustment for about 12 years and never looked back
The new Audiomods arms are even better - even has Azimuth Adjustment now Regards - Steve |