Sumiko Talisman S Sapphire Tube, van den Hul 2.0g; sep > 30db; bal 0.5db
I’m hoping a spec more bass out of it’s sapphire tube cantilever. Best bass I ever had was V15Vxmr beryllium cantilever. Friend coming over tomorrow, perhaps I will mount it today!
;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
I did mount/align it. I played some Cecil McBee, Alternative Spaces before my friend arrived, very impressed.
https://www.discogs.com/master/204354-Cecil-McBee-Alternate-Spaces
Not compared it’s sound yet, especially bass output to current AT33PTG/II. Because slight signal strength change, Sumiko 2.6mv; AT 3.0mv, so need to get some pencil marks ready for equal volume, then compare. Happily, both MC’s have 10mv coils and use the same impedance setting on my SUT, just switch inputs with slight volume adjustment.
Friend arrived, we finished listening to Cecil, both loved the sound. He is very familiar with my system sound and a few of my cartridges, including playing his Goldring here.
He brought some ’new to him’ LPs, looked like they had never been played, Sumiko sounded terrific, soon just totally involved in the sound.
He also brought an ’apparently never played’ Louis Armstrong, 2 mono lps, 'Half Speed Mastered' with recordings from 1936 to 1938. All original Decca recordings re-issued.
https://www.discogs.com/release/6970821-Louis-Armstrong-Big-Bands-Louis-Armstrong
Switched to Grado MM Mono, and they sounded very very good. Big warp, didn’t bother the Grado tracking 1.5g a bit. If you didn’t look, no idea the big warp existed.
Playing that big warp with a Stereo Cartridge, in Mono mode could not be good, the Stereo cartridges pick up any vertical movement, and your preamp doubles the resulting noise in Mono Mode.
Without the warp, nearly new condition of this modern groove Mono release (1985), a Stereo cartridge played in Mono Mode probably would have been quite good, however the Mono Cartridge always makes a small and sometimes large improvement.
We seemed to notice, there was an improvement in the 1938 recordings over the 1936 ones, I’ll have to give a second listen. I wonder if a new mic or mixing board, .... was introduced, some game changer. Or just better engineers. Anybody know?