300b lovers

It is difficult to predict real-world distortion from idealized triode or pentode models. The models assume tubes with perfect physical assembly and ideal emission characteristics. In practice, grid windings are not evenly spaced, grids are tilted a little bit, coatings on the cathode are not perfectly uniform, and there is always just a bit of residual contamination. Tubes are not built by robots, but skilled technicians, and as a result, they are all a little different from each other. By looking at spectral distortion measurements, patterns that are unique to each manufacturer emerge, and none conform exactly to the tube model. (The map is not the territory.)

Successive stages multiply distortion terms as more and more kinks end up in the transfer curve. Of course, this applies to the entire transmission chain from microphone to loudspeaker, with everything in-between.

Models are useful for finding bias points and the expected high-frequency response, but predictions of high-order distortion can be way off from the tubes you can actually buy. Low-order terms like 2nd and 3rd harmonic distortion may conform to the model, but I wouldn’t trust it further than that, not with real tubes. Think of the models as first-order approximations.

The speakers appear to be 8 ohm 90 dB from a stereophile review. They dip to 3.2 ohms, which isn’t bad. The amps would drive them with no trouble in any reasonable sized room. I cannot comment on pricing until Spatial Audio figures out all of their costs. I would expect $15,000 - 20,000 per pair with premium tubes, but that might be off a bit. There will be an announcement after the Seattle show in the spatial audio lab website once it is all figured out.

I don’t know Don’s power supply design, although with Lynn’s collaboration, I’m sure some sort of split supply has been implemented - whether via isolation or regulation. It’s one area Don and I haven’t discussed.

Lynn’s original Karna concept (which I’m employing in my NiWatts) runs a separate separate B+ supply for the output section. We’ve already discussed how the sound of a 300B is the sound of the driver.

With a dedicated power supply to run the input and driver sections (separate power transformers and supply circuitry in the NiWatts - 4 transformers in total per channel), an inefficient speaker may whip the output tube’s power supply into submission, while the input and driver stages are just coasting along.

The perceived effect is that of much more power than the specs would lead you to expect.

Lynn was at a session where I drove a pair of Von Schweikerts with my puny, single-ended NiWatts. Until things got rock concert loud (I put in my musicians’ ear plugs - these guys were nuts), the NiWatts were breezing along.

... Thom @ Galibier

I was there. Thom’s amps did not use interstage coupling (at the time), so 8 watts is pretty much all she wrote. Frankly, I was kind of surprised ... I knew Thom’s NiWatts were maxed out for all they were worth, but audibility was surprisingly low. No flabby bass. No clipping as such, just really loud sound from an absurdly low-efficiency speaker. No screech, but not dull or muffled, either. A shocking amount of punch and bass slam. We both knew in advance that the combination of no feedback (thus no hard-clipping or saturation) and the split supply would protect the amp from things getting really out of hand.

Thom kind of did it on a dare, trying to get the fuse to blow. We both wanted to hear what the NiWatts, still in rough prototype form, did when given an impossible situation. The split power supply really, really came through. The 300B was getting hammered while the rest of the amp just sailed right through. It acts like an 8-watt compressor with surprisingly subtle action.

It reminded me of a little practice guitar amp, which if you have heard one, can get insanely loud, and retain its basic character.

P.S. Yes, Karna Mk II, or Statements, have independent regulated B+ supplies for input+driver and output section, with massive overdrive capabilities. That’s something the Mark I’s, the Statements, and the NiWatts all share. It makes them sound many times more powerful than the nominal wattage rating would suggest. Surprisingly, the 300B survives this gross abuse with no apparent damage, not something I expected.

@lynn_olson

 Surprisingly, the 300B survives this gross abuse with no apparent damage, not something I expected.

Well as you said earlier,

Bell Laboratory and Western Electric knew what they were doing.

90 years later and it's still very much admired, appreciated and enjoyed by discerning music lovers. Quite the testament.

Charles

As Lynn said, the amps have dual regulated supplies, one for the 300b and one for the input and driver tubes.   IF the specs on that KEF speaker above are really what the review said, then the amp would drive them.   Also, as I said far above somewhere, the first stereo prototype of this circuit with only one power supply per channel drove a pair of experimental Spatial Audio Labs X4 prototype speakers that were approximately 87 dB 4 ohm to insane levels, much as what Thom was describing above.  The monos have dual supplies in each amp, so would be even more capable.  All that said, I would stick to speakers that are 88+ dB and very well behaved.  The spatial audio X4 current model is 88 dB 4 ohm (and very well behaved) and the amps will happily drive them to ear splitting levels in reasonable room.