Nonoise,
What model are you referring to? Tony's speakers are very unique...like Tony. His speakers are extremely revealing and pure etc. I have not done a direct comparison with Tony's speakers but the GT SE's, which are Alex's top speaker @ $3500 are presenting true 3 dimensional see-through sound within its frequency range that presents (in my opinion) a Wilson-esque subjective fullness but with a purity and ability to pull every bit of micro acoustic detail and portrait it with its accurate amount of pressurization...from the recording... to the extent your equipment is capable. That may sound like fluff but in all honesty, for a small 2 way it can do some things I've never heard before. There's a fine line between dynamically accurate yet not be too fast so that the leading edge still serves the harmonic fabric which must seem to hang in the air... Somehow this speaker captures both; It has accurate (subjectively realistic) micro (especially) and macro dynamics with true harmonic definition and complexity, even sweetness. It is not perfect however (what is) and like any truly great loudspeaker (transparent and mostly characterless) if time isn't taken to optimize...you won't reach the summit. And for the record, I think some of Tony's speaker can be too fast...If you get my meaning.
What model are you referring to? Tony's speakers are very unique...like Tony. His speakers are extremely revealing and pure etc. I have not done a direct comparison with Tony's speakers but the GT SE's, which are Alex's top speaker @ $3500 are presenting true 3 dimensional see-through sound within its frequency range that presents (in my opinion) a Wilson-esque subjective fullness but with a purity and ability to pull every bit of micro acoustic detail and portrait it with its accurate amount of pressurization...from the recording... to the extent your equipment is capable. That may sound like fluff but in all honesty, for a small 2 way it can do some things I've never heard before. There's a fine line between dynamically accurate yet not be too fast so that the leading edge still serves the harmonic fabric which must seem to hang in the air... Somehow this speaker captures both; It has accurate (subjectively realistic) micro (especially) and macro dynamics with true harmonic definition and complexity, even sweetness. It is not perfect however (what is) and like any truly great loudspeaker (transparent and mostly characterless) if time isn't taken to optimize...you won't reach the summit. And for the record, I think some of Tony's speaker can be too fast...If you get my meaning.