@knownothing Sorry I didn’t answer your well thought out response. Here is where we were talking past each other.
you said:
I also maybe misinterpreted your point to mean it is hopeless to use way more expensive cables than the recording studio, because you might be trying to score a 12 out of 7 in replaying the recording, and that is just such a ridiculous concept, right? Nobody would claim that. Right? At least I haven’t read a single post in this thread where anyone claimed that.
I assumed that smart audiophiles wouldn’t waste money by spending such large amounts of money percentage on particular components like boutique cables. This is what I mean by creating information because of the money audiophiles spend on cables. Have you ever hear of anyone using the proper terminology saying this cable is closing the deficiency in my signal by adding such and such frequency, easy to say nope they say as well as every manufacture say these cable add air, space, musicality, depth, soundstage to the presentation...... It’s not a matter of semantics it’s a matter of fraud.
Nobody will answer the question - if you put a firehose in-between two garden hoses everyone knows it will do no good why is it that so many people think inserting an expensive cable between regular conductors is going to make a difference? That is exactly the question I asked all the cable manufactures I saw at AXPONA none of them had an answer. Thanks for being thoughtful.