You’ve made yourself very clear. You’d be embarrassed if you knew how clearly you communicate.
Ouch!!!
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- He lumps all audiophiles together - like the Borg in Star Trek. Not as independent thinkers with successful careers - who, as music-lovers, have arrived at similar observations and experiences over their decade’s-long audio journey.
- He doesn’t respect cable swapping. But, he definitely favors mic swapping. It’s okay to address the needs of different performing artists with different voice boxes and chest cavities during the recording phase. But, it’s not okay to address the various needs of source components and speakers during the playback phase. Such as synergy.
- Location sound is always tweaked in Post Production. EQ, room tone, re-recording, etc. Matching the SQ of different mic’s on different actors in different takes. Altering the voice perspective as to whether the shot is a wide Master or a Close-up.
- He still doesn’t get that the cables’ metallurgy and architecture affect the electricity - the fuel for the entire playback system. High octane = High performance. Getting the various components to integrate well is the goal.
- After insulting everybody, he wonders why people are attacking him.