Why Do Cables Matter?

@thyname  @steakster 

Thanks for your kind words. I’ve occasionally found that what we sense as aggression or arrogance is often a cover for uncertainty and sincere confusion or the frustration of inability to communicate more clearly 😉🙏🏻

@donavabdear 

So glad you understood what I’ve tried to communicate 👌🏻 - if you’d like to read a little more of my thoughts regarding how to know when a component or room sounds realistic and accurate to any recording we had not experienced the actual sound engineering of, I just made another post in another thread @dean_palmer started on high fidelity - https://forum.audiogon.com/discussions/when-are-speakers-considered-hi-fi-and-not-mid-fi?lastpage=true&page=2#2575397

I have over 70 speakers in my house and 4x dolby atoms systems so new expensive cable would cost a fortune

That’s an insane number of speakers for one single house. I understand your frustration @donavabdear . I agree with you, attempting to cable them all to function independently and simultaneously, including their electronics, will cost a fortune. But I guess helicopters noise from the ceiling sounds good enough for me in my modest 5.1.2 HT, so here is that. I have basic cabling in my lowly HT, I don’t really pay much attention to having a great HT.

My question for you is, out of those 70+ speakers, can you isolate the best two speaker you have (a matching pair) for stereo, 2-channel playback? Perhaps in a dedicated room for two channel audio, with dedicated 2-channel equipment (not multichannel). That should not cost too much in wiring. Only two speakers out of your 70+. Just a wild idea 😱

donavabdear

Audiophiles give me the impression that they can evaluate the proper mixing goal of the artist, producer and audio engineer by saying things like this or that sounds natural or to the presentation or the image is thus and so. It is impossible to make judgements like that if the image is bigger with a particular component or cable how do you know that's what was originally recorded. you can't.

That is why judgment about how a system sounds has to be made over time, and why I distrust "shootout-out" style demos. 

Extreme reverence over the "original recording" is a bit of a red herring. For enjoyment and demo purposes, I like to make my own recordings. But what microphones were used? How far were they from the stage? What mic preamp? Changing those things change the sound.

The notion that it is takes some exceptional, extreme talent or expertise to record, say, a famous actor's voice is absurd. Most people can recognize a familiar voice over a lo-fi cell phone. A real recording challenge would be a symphony orchestra, or a intimate jazz band.

@reimarc 

Clever.