so it’s a train wreck to a degree. yet you are rewarded with special very lively exciting sound, if your system can handle it. the Colibri type vdH’s are a pain, but can be amazing. and they are cheap to get fixed, but the fix is not always correct.
bottom line----i owned 10 of these beasts for a reason. they can touch your heart.
Very interesting perspective. I can't agree or disagree but I am willing to venture your take is pretty spot-on. I met AJ Van Den Hul at Axpona 2019. He is old and feeble. I understand his son has been trained to take over but having met him I can certainly understand how his hand built cartridges are not consistent. I have only owned one, a Crimson Stradivarius (not ’Stratovarius’) XGW. The sound is very lively and I love it. And that is in the context of having two very similar turntables hooked up to my system both with Reed 3P arms and my other deck has a Lyra Etna installed, both optimized and re-checked by Brian Walsh.
After the article was published-again more a blurb than an article-I sent mine back to Denmark through the USA distributor to have the magnets/suspension/donut checked and I specifically asked the distributor to send a note that I was concerned with how the stylus was aligned to the cantilever-though I had no evidence it was misaligned. As anyone with a higher end VdH is aware, VdH asks that the cartridge be returned for a check-up after 200 hours.