break-in for Marantz SA-7S1


I just bought a new Marantz SA-7S1. It has 60 hours of break-in on it at this point. So far it's not bad, but it's not all that captivating either. I've heard it takes awhile to break in. I'd like to hear from other owners how long theirs took to break in, and more importantly what the difference was once is was broken in. Thanks!
tinear1
My SA-7S1 also sounded good from the beginning and has just gotten better over time. I disagree with the comment that timbre or focus is a problem. As another lister suggested, power cord and interconnects are very important. I'm using a Shunyata Taipan VX Helix power cord and Stereovox Reference interconnects. I have two friends who love their 7S1 in systems very different from mine. A recent critical listener said this was the first player he had heard that was free of the digital qualities he found so bothersome in other players. Break-in has improved soundstaging and resulted in a more open quality. In my player detail and dynamics are great while being very musically involving at the same time. FWIW, I still listen to my analogue system much of the time. I enjoy both.
Hi Jake18, have you thought of trying the Alpha variant of your Shunyata cord on your SA71S? VX cords contain a filtering compound that tends to blend away low level detail. . . it's a little like caramelizing the music. . . The Marantz does not have any digital screetchies that need outside 'taming'. IMO.
at this time my favorite cd player is the audionote cd2. i thought i liked the original lector 7, the two chassis version.

i also liked the first zanden dac, not the current version,the sony scd 1, the cal tempest and first aria player.

these are the players that come to mind. most players i audition do not impress me. i find that they annoy me because of errors in reproducing timbre and an analytical presentation.

in fact most stereo systems sound more focused than live music.
i find the marantz 7s1 and 11s2 balanced in its frequency response. however, it exhibits a level of clarity that is not heard when in the presence of live unamplified music.

these players are ruthless in their revelation of flaws in a recording. unless one listens to cds which have no "problems", the assault on one's ears may cause one to turn off either player, after a short while, or make sure it feeds a preamp and amp which is subtractive in its coloration. fortunately, i own such a preamp.
"it exhibits a level of clarity that is not heard when in the presence of live unamplified music. these players are ruthless in their revelation of flaws in a recording. . ."

I agree with you this time MRT, that's one of the very reasons why I enjoy SA7S1, my own X-01 LE, MPS-5, and a few other players. . . . but it is not so much that they exhibit a level of clarity greater than live unamplified music. . . it is that to hear the same level of detail you would need to place yourself in socially unacceptable proximity to the performer or the instrument. . . ah, marvels of technology! G