@j-wall The M-200 is largely similar in design to the A 200 but from what I understand. it is not simply a bridged version of the A 200, but optimized to deliver even against more difficult impedance loads. I have heard the M 200 with the DAC 200 with the T+A Talis S 300 speakers in someone’s home. I have similar equipment and speakers here on my floor except for having the A 200 and not the M 200. Unfortunately room and setup plays a major factor. His room was “alive”, completely untreated, with speakers only less than two feet from the wall, whereas my room is treated and speakers have much more room to breathe. I don’t feel like I got an understanding of the true performance of the M 200 in his room, but I would say the sonic signature is more similar than it is alike.
I’ll note that I was being critical on my previous post on the A 200 and that I sometimes lack awareness of how critical I am being. My comments on qualms are merely based against very much more expensive amplifiers. For its price range, it gets really close to being endgame as long as you like the sonic presentation of T+A gear. I should also note that I want to be able to compare any GaN amps I can get my hands on against the T+A A 200 so I understand the performance differences in each.
I agree with @yyzsantabarbara that the Mola Mola monos are old news and there are better amps for cheaper. It’s not Class D, but as I have encouraged higher in the thread, the Cambridge EDGE series right now has my favorite cost-to-performance components. The amplifiers do not replace my $40K T+A HV series components, but I could very well live with them and they are a fraction of the price. Their Class XA topology is interesting and they deliver an incredible blend of musicality (albeit slightly less soulful as T+A), and more incision / detail in a way that is very holographic, all while having the qualities of a Class A amplifier.