Welcome to the forum. Can you post a pic of your headphone rig on your virtual system page? Sounds like a nice one. Thanks
Who has the Sickness, the Phile or the Non-phile?
So often I find myself resenting the fact that there are only so many hours to listen to HiFi and I think of those that don't hold this resentment.
I used to think anyone who wasn't obsessive simply lacked exposure, but even though I have introduced many, I have discovered no takers.
At audiophile club meeting it seems to me that the attendees are mostly gear-heads and posers; they say "Ooo & Ahhhh" to anything presented and you can see 1 or 2, maybe 3 in the seats nonchalantly looking over in the direction of the ooo-ers and Ahhh-ers; those few get it. And before anyone is defensive because they know, lashes out that I'm this or that....I don't care. These are obviously my opinions and I'm looking for the opinions of others On The Question At Hand and not whether or not I am a deluded self important snob.
So, if it is not a lack of exposure, is it a lack of ability?
Surely we are all different, short, tall, smart, obtuse, near sighted, far sighted. Are the ears and or the brains of an audiophile just wired differently than others? Can non audiophiles just not hear what we hear?
Was it childhood exposure that caused this difference in wiring? My father had Altec Voice of the Theater horns and the accompanying gear. Was that it, being exposed to HIFi during brain development? My daughter gets it and boy was she pissed when I sold my VPI TT. I never got along with my father, but was he responsible for my affliction by introducing me to superior sound as an infant?
And, who are the sick ones, the philes or the non-philes?
TD
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All this is not industrially fabricated music, but music created in a TRADITION , cultural and musical tradition... Right now my favorite genre of music IS industrially fabricated in the TRADITION of the tribes of Africa mostly in the Zulu language... Amapiano music. Thankfully I can get mixes of it on Mixcloud, hit play, and be taken on a journey of rhythm, heart, spirit, it is magical. Here is a mix, enjoy: https://www.mixcloud.com/DJRobbiez/soul-ii-soul-vol25/
The above set was mixed by a woman, see: I have the pleasure and honour to introduce you to DJ Jean Karungi, the first female DJ in this series. Jean is an Ugandan Based DJ who started mixing professionally in 2021. Since this time she has played in bars and at events. A lover of music in all its forms but particularly drawn to amapiano, afro house and EDM. Her sets are always a reflection of her eclectic taste and an assured vibe for a good time.
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Interesting statement from the CEO of Hunnia Records
" In our recording studio – named Supersize Recording – we have a Neve 88R analog console and a Merging Technologies Hapi Analog to Digital Converter that are used at Stereo DSD 128 and DSD 256 resolutions. Allowing Hunnia to provide NativeDSD listeners with Live, Direct to Pure DSD Stereo releases. The most important thing to me is the feeling of joy that is brought about by the quality of recorded sound. Sometimes, the music that is being played becomes secondary. This could be some kind of an ancient phenomena, because there is so many types of music the value of which is not given by beauty or intellectual content, and they have only an acoustical effect. This music works on a sensational level and gives an experience like good food, fine wine or the feeling of sunshine on my skin. It can be noticed on our albums that they are very musically diverse touching a number of genres. I am not a planner. What touches me – for which I feel love – is an audio recording. This is beautiful in music that it exists in the moment. That has been performed and cannot be heard in the same way again. This is why it is important to record music and theater productions. These are volatile treasures, not like books or movies and must be preserved in all of their glory for you the listener to enjoy for many years to come!" Robert Zoltán Hunka |
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