@prof I cleaned my Steinway grand for the first time yesterday, I was amazed at the craftsmanship every part of it was perfect.
@kota1 You'll appreciate this, the Steinway salesmen goes all over the world listening and talking to people about very expensive sound systems, we talked about how I felt it was so important to have the amps, crossovers, and speakers designed for each other and that Steinway was the only company that did that in a complete way, you can't even insert a normal speaker cable or interconnect every single piece of the system is designed by Lyngdorf / Steinway. He did say that there are problems with amps in the speakers because of the vibration and they don't even want you to put the equipment on the wrong material. They took a piece of equipment with long cables (network cables) and set it on 5 different types of material like glass wood stone and such and each material sounded different. This guy form Steinway was not an audiophile that was into esoteric accessories with non scientific tendencies, in fact he said the engineers at Steinway / Lyngdorf are all old school scientific and numbers people they are testing all the time.
Thinking about a Steinway Lyngdorf system
I'm thinking about jumping in and going with a Steinway Lyngdorf Model B speaker / amp / controller system. They have the same philosophy towards sound as I have, active, crossover inside the amp, DSP controlled, upgradeable, designed as a complete system, among other things. Does anyone have any listening experience with the Steinway Model B?
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@kota1 I would really like you to tell me how you are remastering in DSD? Are you using it as a playback format from other formats, or are you getting DSD originals? I'm probably misunderstanding, how would copying to DSD make anything sound better? |
The Sony TAZH1ES has a DSD remastering engine: according to Sony “combines a high-performance DSP (digital signal processing) and FPGA (field-programmable gate array) to convert any signal into DSD128 signals. It was designed based on the know-how garnered from Sony’s 8-times oversampling and Extended SBM (Super Bit Mapping) technology for professional recorders.” see page 28 in the manual: https://www.sony.com/electronics/support/res/manuals/4598/45982541M.pdf |
From the webpage: Convert any source to DSDPersonalizing sound with the new DSD Remastering Engine. Offering double the conversion accuracy of previous models, the new DSD Remastering Engine let you convert all PCM music sources into DSD 11.2 MHz. The technology uses FPGA (Field Programmable Gate Array) to convert any signal into the DSD sound format. https://electronics.sony.com/audio/audio-components/hi-res-audio/p/tazh1es
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@kota1 Thank you. Why doesn't everyone use DSD, SACD, I would worry that there will be no equipment to play it back on in the future. When I started in the studios 2 inch audio tape and even 2 inch video tape. You really can't playback any 2 inch video tape now and it was the ultimate cutting edge format in its day. Reminds me of the huge underground caverns that the government use to hold records they did a study and ended up using paper and ink for holding records, In Hollywood there are sealed vaults that you put your old master movie in usually on film and mag for the sound, won't be able to play that back soon either. Apple ruined the pursuit of quality in the entertainment industry in place of convenience, sad. |
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