The mistake armchair speaker snobs make too often


Recently read the comments, briefly, on the Stereophile review of a very interesting speaker. I say it’s interesting because the designers put together two brands I really like together: Mundorf and Scanspeak. I use the same brands in my living room and love the results.

Unfortunately, using off-the-shelf drivers, no matter how well performing, immediately gets arm chair speaker critics, who can’t actually build speakers themselves, and wouldn’t like it if they could, trying to evaluate the speaker based on parts.

First, these critics are 100% never actually going to make a pair of speakers. They only buy name brands. Next, they don’t get how expensive it is to run a retail business.

A speaker maker has to sell a pair of speakers for at least 10x what the drivers cost. I’m sorry but the math of getting a speaker out the door, and getting a retailer to make space for it, plus service overhead, yada yada, means you simply cannot sell a speaker for parts cost. Same for everything on earth.

The last mistake, and this is a doozy, is that the same critics who insist on only custom, in-house drivers, are paying for even cheaper drivers!

I hope you are all sitting down, but big speaker brand names who make their drivers 100% in house sell the speakers for 20x or more of the actual driver cost.

Why do these same speaker snobs keep their mouth shut about name brands but try to take apart small time, efficient builders? Because they can.  The biggest advantage that in-house drivers gives you is that the riff raft ( this is a joke on an old A'gon post which misspelled riff raff) stays silent.  If you are sitting there pricing speakers out on parts cost, shut up and build something, then go sell it.

erik_squires

Erik this makes no sense to me why are in house or parts the company makes from scratch inferior? It would seem to me the builder can more closely spec parts and control tolerances. I'm not saying that every custom built driver is better than an off the shelf driver it's obviously a case by case basis. It does seem a weird argument to make I guess you're really bored. 😉

@kota1 wrote:

My bias/snobbery is that matching an amp and a speaker is a crap shoot and happens to be the most profitable strategy for manufacturers (sell you two products amp + speakers plus an additional set of cables). I think it should go away, all speakers should be designed from the ground up as an active "system", sold as a one box solution, and reduce the risk of a mismatch. ...

There’s also attempts at profitable strategies from at least some of those making active one-box solutions. Not trying to downplay the advantages of going active, but the one predominant takeaway here is removing the passive crossover between the amp and speaker. All the hoopla on "matching the individual driver to an amp channel" has gotten old long ago, and while there are ways to optimize amp-driver coupling from a holistic design point-of-view that can potentially incorporate a broader range of facets, all the while also cutting corners, most of these are pebbles next to the single big rock of getting rid of the passive crossover. Indeed, one box solutions work around compromises as well - quite a few, actually - and to my mind they’re blowing up aspects on the importance of amp-driver integration in an esoteric cloud to cover up the all-too-obvious advantage of going active, which I’ve already mentioned, while effectively also discouraging those who’d like to venture in the direction of an outboard active solution. So, from my chair your highlighting the unfortunate mismatch between passively configured speakers and the amp(s) driving them really comes down to that introduced by the passive crossover itself.

To the DIY crowd, what is your opinion of this much speaker for the money, the JBL 4305P Studio Monitor. Could Joe Sixpack do better if I sent him off to shop for speakers, amp, preamp, and a DAC with the same dough? @phusis @ghdprentice what are your thoughts?

From a same-budget perspective and a select range of sonic parameters I’d say the JBL’s as a package are tough to beat vs a passively configured "adversary." However we wouldn’t be comparing apples to apples, and so many aspects can come to the fore as a deciding factor that can’t be boiled down to bundled active vs. passive on principle alone. Moreover, the JBL’s to some, i.e.: in a particular context, may be considered an acquired taste, if nothing else by virtue of their dynamic capabilities, waveguide-loading and the use of a compression driver which as an active package may come across as a more blunt, direct/open, and (in some regards) honest presentation that truth be told isn’t everyone’s cup of tea. My personal take and not least given enough options would be favoring the bundled, active package vs. a passive ditto - in named context. Optimally though I prefer the outboard active solution.

@kota1 wrote:

Frank Sinatra and Dean Martin owned 3 Paragons EACH to listen to their own Master Tapes. Since a Single Paragon is Stereo, they had to be using a Paragon as a single speaker instead of stereo (effectively 6 speakers systems in 3 cabinets.

If they did indeed use three next-to-each-other and mono-coupled Paragon's, while emulating perhaps a stereo + center source(?), it would certainly make for a very interesting sound scenario. They'd have great capacity and (possibly wide) center lock for sure. 

@phusis

All the hoopla on "matching the individual driver to an amp channel" has gotten old long ago,

It "burns" me when I see a product trashed from an audio "snob" that simply mismatched the speaker to the amp, the cable, or the room.

My personal take and not least given enough options would be favoring the bundled, active package vs. a passive ditto - in named context. Optimally though I prefer the outboard active solution.

That is audio wisdom, well said. I have a pair of DefTech W7 active speakers on my porch that are in the DTS Play-Fi ecosystem that I chose for convenience and a bargain, they were on a close out. They sound great, and not just for the price. They are in a sun room surrounded by windows just sitting on stands. Being streamed to wirelessly with the play-fi app.Low price, small convenient, = no brainer.

@soix Your choices are welcome and two of the three that I heard, are excellent speakers for the most part. The Joseph Audio Pearl, Usher TD20, Vandersteen Kento, and Boenicke W13 SE were heard or are known to have the qualities that I am not looking but not in attendance.

The Boenicke’s sounded better than their measurements indicate with excellent analog playback. Not as big and full as I am looking for. The Boenicke is a fine speaker but too small sounding and has a much lower efficiency (86-89 db depending on frequency which is not smooth and usually tests lower) with excellent dispersion (I only heard the non-SE version),

The Vandersteen Kento has built-in woofer amps, reticent highs although measures great (87 db efficiency 3 to 8 ohm impedance) and dispersion is very good but not great off axis. A very listenable speaker though. Vandy’s always sound sweet to me, not a bad thing (early inexpensive ones sounded distorted though).

The Joseph Audio Pearl 2 is has more detail than body, although it is much more pleasant than more expensive Wilsons and superior to B&Ws and has plenty of bass (maybe too much-for a large room). It too has a low 86 db efficiency with a nice 6 ohm low impedance. I have not heard the 20/20 Graphene version or Pearl 3. They look just like Von Schweikert VR series.

I haven’t heard the Usher TD20 and Verity Audio Arindal speakers.

What I am after is an end-game speaker that I can afford for my listening room and my taste in sound. My end game speaker is the VS Ultra 7, I don’t want a low(er) efficiency speaker with a built in woofer amp like the VS VR55.

@kota I absolutely don’t want a surround sound system for mono and stereo recordings. As an amateur recording/mastering "engineer," I only want to hear mono and stereo sound coming from two speakers (three track with a center channel). That’s how the majority of my music was recorded and mastered (my own and most of my 48,000 LP/78s/CDs/R2R). Powered focal speakers do not meet my needs or wants (I want to stick to passive speakers). Thanks though for your suggestion for thrilling sound.

Note that the speakers I'm auditioning are super coherent with mid-range drivers that cover 80-90% of the range of music and are in the low 90 db efficiency that have impedances either of my amps can easily drive.