Brian,
I think you got it. The point is that as long as Adasilva uses the DAC1 the "evidence" suggests that it really does not matter what transport he uses (provided it doesn't mess with the bits, as some apparently do).
If Adasilva finds the DAC1 to be a substandard DAC compared to the much better sound of top echelon players then he might, in future, face the interface issues as to what other DAC goes well with the Wadia 170i & possibly what type of digital cable he needs and what length. This is the situation faced when using the majority of DAC designs, which are NOT demonstrated through test data to be totally immune to incoming jitter on the digital signal. In this case, careful selection of components that work well together is mandatory and there are no guarantees, such as Benchmark offers in their claims (In this scenario, everything in the chain should really be as low jitter as possible and, as a general rule, a separate clock signal interface is usualy preferred to qualify as "top echelon" - Meitner gear comes to mind)
BTW - "jitter" is certainly the end of the world - it might be better to have a tubed DAC with a great warm and musical sound than an analytical DAC with better jitter rejection. This is where individual subjectivity comes into it - the lesser of Evils - the horrible pro sound versus the organic warmth of something that sounds much better.
I think you got it. The point is that as long as Adasilva uses the DAC1 the "evidence" suggests that it really does not matter what transport he uses (provided it doesn't mess with the bits, as some apparently do).
If Adasilva finds the DAC1 to be a substandard DAC compared to the much better sound of top echelon players then he might, in future, face the interface issues as to what other DAC goes well with the Wadia 170i & possibly what type of digital cable he needs and what length. This is the situation faced when using the majority of DAC designs, which are NOT demonstrated through test data to be totally immune to incoming jitter on the digital signal. In this case, careful selection of components that work well together is mandatory and there are no guarantees, such as Benchmark offers in their claims (In this scenario, everything in the chain should really be as low jitter as possible and, as a general rule, a separate clock signal interface is usualy preferred to qualify as "top echelon" - Meitner gear comes to mind)
BTW - "jitter" is certainly the end of the world - it might be better to have a tubed DAC with a great warm and musical sound than an analytical DAC with better jitter rejection. This is where individual subjectivity comes into it - the lesser of Evils - the horrible pro sound versus the organic warmth of something that sounds much better.