Upgrade my older Linn Sondek or move on?


Hi All,

I have a 1984 Linn Sondek that is still as it came new with a couple of exceptions. I did rebuild my Valhalla board as I was having some issues. Still has the Basic LV X arm, but I added an XTC counterweight as the stock counterweight bushing turned to mush. I am running a Nagaoka MP-200 cartridge. 

Question is do I drop the money to upgrade the arm, bearing, and power supply or move on to a new or used table? Looking at used parts to upgrade the Linn I can easily spend $2k. I can sell the Linn and that puts me in the $3.5k budget range for a different table. 

I have been looking at Well Tempered and VPI. Any thoughts on these or other recommendations? Better sound quality and ease of set up / use would be the objectives. The rest of the system: Quicksilver M135 mono amps, Fisher CX-2 preamp, and Magnepan LRS+ speakers.

thermionicemission

I was in the same position about 2yrs ago.  I had a late 80's Ittok LVII / Valhalla table and decided to upgrade.  I did a lot of research and concluded that upgrading a Linn LP12 is not a black art, rather it is a carefully considered process.  There are several non Linn upgrades that are just as effective, and maybe more so, and certainly cost much less in direct comparison to official Linn alternatives.

I would upgrade the bearing to at least Cirkus level, and upgrade your arm to at least an Ittok LVII.   

Hercules II outboard power supply.

Mober Inner Platter, Linn outer platter and new springs grommets etc.

Stack Serene chassis, top plate, bottom plate and arm board.

Upgraded DIN to RCA cable. 

Watch several You Tube videos until you can literally play back a complete video in your head from memory.  Then dive in.

The upgrade and building process is not a black art or rocket science.  It is very simply actually, but needs careful patient work.

I was rewarded with a much more expansive sound.  The first thing I heard was a darker, quieter background, which allowed microdetails to be more easily heard.  Speed stability increased.  Bass was deeper and more precise.  Midrange clarity improved, and treble is cleaner overall.

I was able to sell off unneeded parts.   Net cost of upgrades was less than $1800 US, and I now have a table that easily defeats a Majik level build.

I would like to thank everyone for their input. @iopscrl you are so right. There is no black magic here. I jumped in and was able to adjust the suspension and in turn level the arm board much better. Bounce is in agreement with what I’ve read and seen.
I will go for the Circus, Ittok LVII, and Hercules II for the first round. Your thoughts are in line with many others. I do generally like the table. Beat the pants off my old Rega P3 and sounds better than my brothers Thorens TD-160 which he has meticulously set up. Maybe step up the cart from the Nagaoka MP-200 as well. Any suggestions? I need the higher output of a MC due to my vintage Fisher CX400-2 preamp.

Do you mean to say you need the higher output of an MM ( not an MC)? In any case the Nagaoka is a moving iron. I’d move up to MP500.

And why was your Rega wearing pants?

Unfortunately, I believe in order to get the best out of your LP12, it does need a precise and correct set-up. If one is willing to do the set up oneself and can accept the fact that the set up might be at the 80% level ( at best), then the right path for the OP is to do upgrades. The best bang for the buck, IME, is the Karousel bearing, which is at the heart of the table design. If one can upgrade to the Karousel and can utilize a majik subchassis, I think the OP would be off to a great start.