I've had a few different speakers that shared similar attributes to the Adagios. Sound engineers who master albums on speakers with a forward stage will produce work that suites these speakers well. The majority of engineers out there base their work on the most common devices out there (nothing really good). Especially for material that is expected for mass consumption on the go.
I also heard the Vandersteens (Quattro I believe) once for a short period and they are the polar opposites to the forward sounding speaker. Everything happens further away, pushing to you become drawn into the sound. They do well with imaging that is finely defined, good depth and layering, and a relaxed sound. There in lies the issue with it. It can be overly relaxed on recordings that were intended to be edgy in sound. For me, a bit more distant than what I find ideal.
You do have to understand that mastering methods will cause different recordings sound best on a variety of different speakers. Nothing will be truly ideal with every recording out there. My experience with forward sounding speakers is that on daily basis, they will prove to be fatiguing far too often. Based on my recollection of the Adagio, it would be quite the challenge to tune these speakers to your liking. You'll end up with a system that is very speaker specific when you should have instead be starting with a speaker much closer your ideal.
But I do feel if you can experiment a little, learn a little with each change, you've come a step closer to enjoying the audio hobby and experience some extraordinary music while you were at it. You know how the Adagio sounds and it honestly makes it a very good tool that allows you to hear upstream changes quite easily, good or bad.
But for the enjoyment you might be looking for on a day to day basis, these speakers sound like they won't cut it for you.
I also heard the Vandersteens (Quattro I believe) once for a short period and they are the polar opposites to the forward sounding speaker. Everything happens further away, pushing to you become drawn into the sound. They do well with imaging that is finely defined, good depth and layering, and a relaxed sound. There in lies the issue with it. It can be overly relaxed on recordings that were intended to be edgy in sound. For me, a bit more distant than what I find ideal.
You do have to understand that mastering methods will cause different recordings sound best on a variety of different speakers. Nothing will be truly ideal with every recording out there. My experience with forward sounding speakers is that on daily basis, they will prove to be fatiguing far too often. Based on my recollection of the Adagio, it would be quite the challenge to tune these speakers to your liking. You'll end up with a system that is very speaker specific when you should have instead be starting with a speaker much closer your ideal.
But I do feel if you can experiment a little, learn a little with each change, you've come a step closer to enjoying the audio hobby and experience some extraordinary music while you were at it. You know how the Adagio sounds and it honestly makes it a very good tool that allows you to hear upstream changes quite easily, good or bad.
But for the enjoyment you might be looking for on a day to day basis, these speakers sound like they won't cut it for you.