2. analog
  3. 186685-185397

Is Van den Hul Frog Gold a good choice for my rig?

Hi!  I have what would probably be called a mid-fi system in these parts, although it's made up of components I really love with highish end used/open box parts bought because my tastes are Waygu, while my budget is nice brisket.

I recently acquired a gently-used VPI Titan (the older, belt-driven, model although still sold) with a 12 inch Fat Boy tone arm, in part because the price was fantastic.

After much study, albeit in complete ignorance, I am strongly leaning to the Van den Hul Frog Gold on my own, but a conclusion reinforced because my friend has it on a similarly-designed composite tone arm from Poland and the Frog sounds great. The rest of his system, however, is straight highest-end McIntosh.  (He lives far away or I'd ask to borrow his cartridge for an audition.)

In contrast to his stock top-to-bottom, system, my system is a bit of a hodge-podge of things I love, largely designed around streaming/digital, to wit:

Phone preamp (new to me): Parasound JC3+

Preamp: Evo Luna 400

Amps: Classe Delta Monoblocks

Speakers: B&W 800 D3

Subs: SVS PB-16 ultras (2)  (I have a dual hi-pass, low pass, up at pre-amp to divide between amps and amplified subs before amplification.)

(I do love base and low-end.)

Commercial 20 amp Furman power conditioner

Digital source: Lumin U1, Esoteric K-03XD SACD/CD player with excellent DACs)

This is a $3600 cartridge, which chokes me, but I could pay more or less, for the right thing.

Listen to everything, but mainly listen to classical while streaming (due to excellent choices) and rock/blues/jazz/something that pairs with Scotch while listening to analog.

 

davetheoilguy
ghdprentice
6,959 posts
 

Yeah. It was my first audiophile tt / cartridge and it was simply revelatory. Speaking of jaw dropping. The surface noise I was so used to disappeared, the bass slapped me in the face.  It was a completely different ball game. 

inna
7,296 posts
 

I wouldn't spend that much on cartridge straight away. $3600 cartridge requires $7000 phono stage. I would first get good MM or MI cartridge and go from there if I have to. Phono preamp is more important than cartridge and turntable/tonearm more important still.

davetheoilguy OP
146 posts
 

What would you recommend over the Parasound JC3+?

 

 

inna
7,296 posts
 

I am no expert, cannot make a serious recommendation. But you have a great turntable that certainly needs both excellent cartridge and phono stage.

Besides, I strongly prefer tube equipment, so I am biased in this respect, and even more so I prefer tube phono stage.

mulveling's avatar
mulveling
1,895 posts
 

I have a new-ish Frog Gold and it’s awesome. I’ll warn you it was very mediocre until I got some burn-in time, and also adjusted VTF a little higher than recommended (1.6g). I’m not used to so much burn-in dependence, so this took me by surprise. It doesn’t need the full 100 hours to start sounding great, but definitely more than 20.

As far as phono stages - it didn’t seem to like active MC gain, at least in my case. I tried with Herron VTPH-2A and Hagerman Trumpet Reference. The treble got harsh, and soundstage shrunk in - very unexpected. But with either phono stage in MM mode using an EAR MC-4 SUT for MC duties, it transforms into something wonderful. Can’t say if that will happen on your JC3+, but it’s something to keep in mind. Maybe see if you can borrow a SUT to have on hand.

My Frog Gold says 0.85mV on the box, but it really sounds like a 0.4mV (0.5 at best) and behaves best when I treat it as such (e.g., 6 ohm tap on the EAR). I have other brand cartridges here rated at 0.4 mV, 0.55, 0.6 mV, 0.8mV (etc) and it’s clearly less output than the 0.55mV and up models. I don’t know if this is typical of Van den Hul ratings or just my Frog unit. Anyways, I'm happy with it at 0.4-ish if it sounds like this :) 

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