Planars/ Electrostats benefits over box speakers?

Polarin mentioned OHMs, which I prefer these days over planars as well. OHMs and Walsh style drivers in general are a totally different breed of "box" speaker for many reasons. I replaced my Maggies with OHMs most recently. I hear Magies still on occasion at dealers and gotta say there is nothing I miss about them still. If I did not listen to pop/rock/electronic music as well as all the rest, I might feel differently. Can't speak for other planars, but same true for Electrostats I have heard like QUAD. I wanted the QUAD sound but with all the large scale dynamics as well that I found limited. OHMs pretty much do it all for very reasonable cost that will vary directly with room size only.

Thanks to the members who have responded so far. Many points will be useful in my search for new speakers. I also appreciate the speaker recommendations other than ML's and Maggies which I will check out. Regarding ML, I listened to a pair of ML's EM-ESL electrostats when they first came into the market. They sounded very good, but the highs seemed a bit bright or pinched. Bass was good but not exceptional. Presentation and musicality were first rate

A member recently had a pair for sale on AG, because he is moving to Martin Logan "Theos" which are twice are as expensive as EM- ESL. The Theos are $4995.00 and a bit out of my price range.

I said this before, Martin Logan has a merry-go round of different speakers every 2 years or so, which makes me a bit reluctant abou their products. I remember in 2000-2001 hearing a pair of ML's "Ascent" which were (over) lauded by the audio press; I was not that impressed, or as impressed as much as hearing Aerius I from a decade(?) before

As many members know, planars and stats can be difficult to place and therefore hinky. If you buy retail, you might get the assistance of the dealer, or able to return them if not to the buyer's satisfaction. This becomes even a larger issue if you buy them used....returns are very few and far between on AG or any of the audio marts
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To Ohnway61, as I just mentioned I have auditioned the ML speakers, including the original CLS which were awesome. I could listen until the shop's business hours, but that will not predict what either planars or stats will sound like at home

Jim, you've received lots of good comments, but one thing that hasn't been addressed which should be considered before embarking on one of these paths is amplification.

Maggies present fairly benign impedance characteristics to the amplifier, even though their impedance magnitude is in most cases nominally 4 ohms. However, they need a lot of power. If you still have and are planning to keep the Rogue Sphinx I recall that you were using not long ago, its 155 watt capability into 4 ohms (per Stereophile measurements) might be marginal (or worse) with a Maggie, depending on listening volume, room size, the dynamic range of the music, etc.

Martin-Logans, on the other hand, do NOT present benign impedance characteristics. As with many electrostatics and electrostatic hybrids, their impedance decreases to very low values in the upper treble region, typically reaching 1 ohm or even less at 20 kHz. With impedance phase angles that are significantly capacitive at many frequencies, which is much more challenging for an amplifier than the Maggie's mostly resistive impedance.

The impedance characteristics of an M-L will result in sonics that are particularly sensitive to the output impedance and other characteristics of the amplifier that is being used. The negligibly small output impedance of most solid state amplifiers (including the Sphinx) will interact with their decreasing impedance at high frequencies in a manner that will give greater emphasis to the upper treble, and perhaps the lower treble as well, in comparison with tube amps. And the tonal balance which will result with tube amps will tend to differ among different tube amps, due to their differing output impedances. And some amps will simply not be able to handle the very low impedance at high frequencies with any kind of good results.

In the absence of an audition, or specific and credible inputs from others, I would not assume that the Sphinx would be happy dealing with a Martin-Logan.

Good luck. Regards,
-- Al

I realize I'm probably simplifying and generalizing, but aren't companies like Magico, Wilson Benesch, BMC (and I'm sure others I don't even know about) utilizing steel or aluminum cabinets in an effort to build "box" speakers but with such inert cabinets that they eliminate the "box" from the sound? Not that they're trying to replicate panels, of course, but that they're trying to create dynamic speakers that offer the same absence of cabinet coloration that panels enjoy? Or am I barking up the wrong tree?

Bcgator, I believe that you are correct in describing what many companies try to do, by designing inert cabinets that allow the drivers to work most efficiently without adding cabinet induced coloration. However many companies discover in attempting this that in reality all cabinets have some inherent sound which impacts the speaker's performance. So what some then do is design a cabinet more like a musical instrument, which is tuned so that its resonance is musically coherent rather than of an objectionable nature. There is more than one way to design and engineer a fine speaker, and it often comes down to subjective as well as objective performance goals.