Big speakers, are they really the best way to get great sound?


Yesterday, I had the opportunity to listen to some very large speakers that are considered to be at, or close to, the pinnacle in speaker design and ability. Needless to say, the speakers retail in the mid to high $300k range. These speakers, and I will not be naming them, were sourced by about $800k of upstream gear. Room size was about thirty by twenty, maybe a little larger.
To say the the overall sound was BIG would be accurate, but also I noticed something else, that I typically hear with big speaker systems. Generally, the speakers were right on edge of overloading the room, depending on music, the dreaded bass boom could be heard. But, the whole presentation was greater in impact than most any smaller speaker system, yet it was almost unlistenable for the long term.

The question I asked myself, is do we really want this type of presentation in our home audio systems? The speakers threw a pretty large soundstage, but also made things sound somewhat larger than life. I also thought that this type of speaker is akin to the large box dynamic speakers of yesteryear. For example, a set of large horns from Altec Lansing or similar was reminiscent of this sound. Makes me believe that if one has a big room, a similar sound can be obtained from most any large speaker system and at a fraction of the price.

I listen in a very small room, and by necessity in the near field, yet I think the overall intimacy of this type of listening experience is better for me, your thoughts?

128x128daveyf

Most of us have had that experience - go to a show or dealer, listen to an ostentatious 6-figure dollars (or more) huge speaker, and think to ourselves "god this sounds mediocre or even outright BAD; I vastly prefer my own system!"

This IS a good representation of how hard it is to get a large-speaker system right. It can be much harder than with more moderately sized speakers. This IS NOT a good representation of what a truly well crafted mega-budget large system CAN do. The upper limit is much higher, but getting there is the trick. Amp matching is also crucial at this level.

Two of my major "meh" moments were with Focal Utopias a few years ago - Stella III and Grande III. Driven by electronics deep into 6-figures themselves (Soulution). But then I really dug the much cheaper Sopra 3’s in the next room (VAC Statement tube amps)! Maybe Utopias are just the wrong speaker for me, or maybe I just haven’t heard them yet in the right system. Another time, much longer ago (15 years), I had a "meh" experience with very large Wilsons (Maxx?). I sort of remember enjoying them more than I did the Utopias, but still not nearly enough to justify their expense. In another room at that same event, there were huge McIntosh line arrays which I though sounded VERY good (of course driven by Mc amplification), and at least made a good run at justifying their cost!

@mulveling Agreed. Getting large speakers to really work well does take more time and expertise. The system i heard had what appeared to be the right upstream gear and was carefully put together. I just think that perhaps the speakers in question could not live up to either their hype, or their price. I also have heard the large Focal’s and come away less than impressed. The interesting thing is that they seem to be highly dependent on room interaction. The first time I heard the Utopia’s, I was impressed, but every time since, they have done absolutely nothing for me.

One other thing, and perhaps we all suffer from this..as the price rises to the heavens, our expectations may rise there also???

OP, “…I think the overall sound will be unlike what hears in a ‘live’ setting, due to the seeming inability of speakers like these to sound intimate enough, when called for.”

 

I am not sure how many of these large speaker systems / electronics are really trying to sound like the real thing. They take you for a sound spectacular (when properly set up). The holographic abilities of Wilson for example is simply incredible. Lots of speakers are made to sound great, exaggerating details to amaze folks by treating the listener to details they have never heard before or making solo performances out of background instruments or giving physical impact to the bass where this would normally not happen.

 

I think these are design goal choices of the companies making them.

There are a few brands who’s goals are the natural reproduction of live / realistic music. These include Sonus Faber for speakers and Audio Research, Conrad Johnson and others. They don’t design for flash, they design to get the gestalt right, the overall presentation… and are incredibly intimate.. conveying the musical essence of the performances.

So, it is a question of aligning your values with the values of the company.

It took me decades to figure this out (ok, I’m slow)… but the journey and destination has been worth it for me.

 

@ghdprentice Good points. I agree that there are certain brands that design for a ‘show’ sound. Not trying to create the sound of real and unamplified instruments in an acoustic space. I guess that sound..one wherein your friends are initially impressed, is not really what I am looking for. Personally, I prefer a reproduction that is more correct to my remembrance of what I hear live.
Perhaps this kind of sound is more salable for big $$ than a more accurate reproduction.

@daveyf wrote:

My point though with regards to very large speakers like these is that even with a large enough room, and room treatments, I think the overall sound will be unlike what hears in a ‘live’ setting, due to the seeming inability of speakers like these to sound intimate enough, when called for.

What is it about a local context of a large system + listening space that makes you deduce the observations made here translates into a general characteristic of other, similarly-ish sized systems - the astronomical price of +$1M? - does that make it a representative for all larger sized speaker setups? If anything it goes to show price in itself doesn’t tell you much about the potential at hand (as you have indicated yourself), also not knowing about the hardware specifics, nor the overall implementation acoustically or otherwise.

Why the secrecy - what’s so important to keep the lid on exposing the speakers at play here? It’s just your opinion - calling out über-expensive speakers + gear for sounding less than ideal shouldn’t be a more precarious matter than saying the same of less expensive speakers. I take it there’ll be no red dot placed on your forehead for spilling the beans, as they say.

Personally, I cannot see paying anything like the ask for a speaker like this. They truly reminded me of the first time I listened to Altec VOTT’s and when I subsequently heard Quad ‘57’s years later. IMO, two different types of performance…and I much preferred the Quads.

You mentioned earlier that a live event is indeed your reference about the statements made on the size of the presentation, and yet to my mind it’s not wholly compatible with your home speaker choice in a small listening space (as well as the Quad’s mentioned above) that I’d say your preference and habitual, sonic exposure is indicative of something other than what emulates of large (or even more intimate), live acoustic space with full dynamic range and frequency extension into the lower octaves.

The question, and I believe this is where I was going with my OP, is such a large and ambitious speaker with the ability to easily override a room really what we want in our listening room? To that, is it possible that even with room treatment ( and a very large room) that a speaker can still sound too large? I believe the speakers in question ( which admittedly I have only heard this one time) could possibly have a design flaw that actually appeals to some, and not others (like myself).

Larger, more SPL savvy and true full-range speakers, as is also pointed to in other posts above, can more easily trigger and challenge an acoustic space into saturation and nasty room modes, but it needn’t be the case depending on how one goes about the implementation and the choice of speakers + their configuration.

What’s more the general notion of the need of fitting large speaker systems in comparatively large listening rooms is blown out of proportion, as I see it, but let those quarrel about that who have neither the inclination nor can find the spousal approval or monetary means (i.e.: because they favor speaker brands, models and segment that already in their mini monitor iterations are insanely expensive) to realize such a project.

@ghdprentice wrote:

I am not sure how many of these large speaker systems / electronics are really trying to sound like the real thing.

True, and an important observation, but the physicality of a larger speaker setup more readily holds the potential to emulate a live setting, certainly in the parameters of dynamics, ease, scale and full-range capabilities.