With 28,500 LPs and 60 years experience, I prefer the Dynavector 20X2 L cartridge. It works great with my modified SME IV, with the Zesto Allesso SUT as well as EAR 864 and EAR 912. It is so highly valued by friends and myself because it permits us to enjoy ALL our LPs, from 1948 monos to current production. I had higher end cartridges and they made newer (post direct to disc era) LPs sound fantastic but not as good with early stereo and mono (I should purchase a mono cartridge though as that is better suited to mono 1950s LPs grooves). My best friends also own the Denon 103 in both plastic and remodeled ceramic body versions. Both great choices.
This is the indisputable truth that so many don’t want to hear or believe. I have spent somewhere north of 50K on various cartridges and have a few set up professionally by Brian Walsh (whom I can not recommend enough). The hard truth is that the exotic cartridges set up optimally will not convey audio nirvana upon your lap and ears. Yes, there are incremental improvements, but only with optimal pressings which are few and far between. The sweet spot for me is with the Ortofon Cadenza Bronze and the Benz Glider SL. I have two of each just gathering dust and I am presently wearing out my Lyra Etna SL and Van den Hul Crimson Stradivarius XGW. When they are worn out I will "revert" to the Ortofon Bronze and Glider with zero regrets.
This is just my take, I don’t claim it is right DESPITE my strong introductory proclamation. It is my truth, not yours. A very short comment on pressings-it is amazing that nothing can be assumed. I have purchased expensive boxed re-issues that were only "good" and small indy pressings that are amazing.