EQ alone cannot give perfect natural timbre experience ...Physical acoustics is needed too ...
EQ alone cannot give perfect imaging and spatial soundfield without timbre degradation .. Physical acoustic here is needed too but is unsufficient ...We need BACCH filters crosstalk correction because all stereo system sound unnatural because of crosstalk ...Dr. Choueiri claims and proved experimentally ...
Now between EQ methods be it digital or analog, be it mechanical or electronical , there is differences that are not purely technical but related to the way we may and must use human hearings in audio controls ... Psycho-acoustics studies are not purely grounded in A.I. yet,😁 then human hearings is the object of study and had not be replaced yet even and must have the first and last word governing DSP applications ...
This imply that EQ so useful it can be can never be enough ...
The Fourier linear maps cannot be confused with the human hearing territory so useful they can be as a tool and they are for sure ...The map is not and never will be the territory...
All that above is why your post and experience and opinion could make sense to me ...
My approach to all this would remain digital for room correction (mids down). Digital or analog for bass tone shaping/ bass boost. ANALOG ONLY for treble tone boost.