Vandersteen Seven Review


Vandersteen Seven: The Ultimate Disappearing Act

Utilizing advanced technologies to render an object virtually undetectable is one definition of the word STEALTH. Stealth is not commonly used, but became a household word during the Gulf War. The U.S. military used advanced technologies in aircraft to make them virtually undetectable to the enemy. We all watched in awe as bombs and missiles were dropped with incredible precision and obliterated the Iraq military machine.

It seems as though Richard Vandersteen of Vandersteen Audio had the Stealth Fighter in mind when he set out to design the appearance of the Model Seven loudspeaker. My personal pair of Sevens are black in color and during low light listening sessions they disappear in my room. The clean design lines of the Model Seven remind me of the aircraft after which it was designed.

That being said, the ultimate disappearing act of the Vandersteen Model Seven loudspeakers has nothing to do with their outward appearance. Instead, Richard Vandersteen utilizes test of time proven design principles, as well as innovative and cutting edge technologies and materials, that render them undetectable in the production of music in your listening room. This rare combination of proven design, cutting edge technologies and materials, and the Seven's ability to be tuned to any room, sets them firmly at the top of an elite group of world class loudspeakers.

I’ve enjoyed listening to music my entire life, and since the age of 14 had my own audio system. In the last 20 years my system has continually evolved into a true high end audio system. Four years ago my wife and I purchased a new home which has a large 33’ x 23’ family room that I have converted into our listening room. Through that move I began to realize how important both the room and speaker placement are to the reproduction of music. Two years ago I was fortunate enough to have Jim Smith of Get Better Sound fame come to my house and conduct a Room Play session. Because of the Sevens' room tuning ability, Jim and I were able to place the speakers in the room for the best imaging, soundstage, and aesthetics, and then adjust the bass response to the room and my personal tastes. This capability is unique, and to my ears makes a significant difference when done correctly.

So the answer to everyone’s "how do they sound?" question. In a word the Sevens sound fantastic. The first thing I noticed with them is their ability to flush out all the inner level details of the human voice and instruments. The tonal quality of the presentation is so life like and real. A few months back we went to Blues Alley in Washington DC and heard Ramsey Lewis perform. The venue there is very small with minimal amplification of the performance. It was in that setting that I realized how true to the source the Model Sevens truly are. No, its not live in my listening room, but closer than I ever thought possible. The three dimensional soundstage, instrument decays, and space around the performers draws me into long listening sessions. But it’s the presentation of the human voice that sets them apart from any speaker I have ever heard. So lifelike, the small inflections and nuances that are unique to every singer are jaw dropping. I’m continually surprised by the lifelike size and shape of the presentation in my room. I could go on and on but I think you get the idea. I’ve purchased my last loudspeaker. High end audio is all about squeezing every last detail and potential from the source material. The Vandersteen Model Sevens are as true to the source as any loudspeaker I’ve heard.

In conclusion I challenge anyone to take an objective look at what makes a world class loudspeaker, and see if you agree with my opinion that the Vandersteen Model Seven stands alone at the top of an elite group of speakers that most would call world class. The factors below when considered causes them to have no peers.

- Proven design principles that have stood the test of time

- Cutting edge innovation, technologies and materials

- Aesthetics that blend into and home décor (look like they belong in a home not a recording studio)

- Room tuning capabilities for seamless integration in any room

- Settings that can tailor the sound to individual tastes

Evaluate these attributes when making your loudspeaker selection and you will find few if any competitors that can match the Model Sevens total package of value.

System Components:
Vandersteen Sevens, BAT VK 600SE with 655SE Caps, Audio Research REF 5SE with Super tubes, PS Audio DS and PWT, Bricasti M1, Music Vault M7 Server, Pass Labs XP 25 Phono Stage, Basis 2200 Signature TT w/ Vector 4 w/VTA Tonearm, Dynavector 20X2H, Synergistic Research Power cell 10UEF, Synergistic Research CTS speaker cables Synergistic Research Speaker cells, Synergistic Research CTS XLR interconnects, Synergistic Research Transporter Ultra SE, Synergistic Research ART acoustic System, Synergistic Research FEQand HFT's. Rack of Silence stand.
richfield_hunter
Ok, was at Audio Connection yesterday. Met up with a new friend who is looking for speakers in this range. It was first thing in the morning and the systems wasn't fully set up, but we went back to listen for an hour and it sounded good with the analog, but not with the digital (IMHO). By the end of the day I realized HOW good these speakers are. The emotion was there once the electronics caught up with the speaker. It was the digital that needed to catch up. I do hope this person puts these on his last cut list and gives them a serious listen in his room as I think he will be very happy as it's still the only speaker I've heard that gives the emotion with the detail etc.... It all starts and end with the mids. By nailing the mids, he then went on to nail the bass which helps, not hurts the mids and then he got the highs right. No it won't 'stand out' like some speakers do. It really is about being flat and letting your gear shine through. What a fun day listening to the whole top end of Richard's line. I was listening to the higher end of Wilson's line the day before on the same Ayre Ref/Twenty gear being fed AR digital and there as NO emotion at all. It just left me not wanting to listen and grabbing for the headphones. With the Vandy's, I kept going back as I wanted to hear specific songs that I love to listen to #thanksJoeBonamasa
Honestly, I won't say anything yet as I want much more time with components I know. I am not familiar with the AR digital stuff. I will bring my Overdrive SE in to listen next time. The other thing is that I liked the speakers first thing in the morning, but they didn't grab me like they have in the past. Once I heard them around 5pm, I was blown away by the layering and texturing. Thats what always draws me it. I will do a full review between the two once I get more time with the 2's.... I will say that what I heard later in the day was some of the best sound I've heard out of components. We were playing some records then too ;)