A blowing session????

daveyf

2nd Note;

More modern Jazzmen like the Marsalis family, Joshua Redman and Nicholas Payton carry the torch.

Happy Listening!

daveyf

3rd Note;

Art Pepper and Chet Baker. After you have had time to delve and explore my suggestions, I will propose the Avant Garde session of Players.

Happy Listening!

@jafant Thanks for the suggestions. I have just about every OG Blue Note produced. So, i am familiar with these folks works.

My OP was wondering more along the lines if the particular genre at the time...mostly Bop, was pretty much a ’blowing session’ for a lot of these musicians. Which would lead me to my next question, perhaps this is why Miles Davis ’progressed’ into the discovery ( if you can call it that?) of fusion. Maybe ( and I don’t know this as a fact) he felt that these ’blowing sessions’ were somewhat limited in their scope and wanted to move the genre of jazz forward. This would be my guess, maybe someone knows more definitively about this theory??

I always thought of blowing sessions as some quick easy money, not the artists major work. But some are great and most are good 

@stuartk

One could also argue that there are "blowing sessions" that are equal to some well rehearsed recording dates. Both the quality of the material and its execution/interpretation are important. Great players can take a simple progression and "off the cuff" make it transcendent. Middling players can rehearse more complex compositions and be less compelling.

Let’s not oversimplify.

Agreed!! Spot on observation.

Charles